2024 Dcar summer test wetland braking test: Lynk & Co 08 EM-P, Jityue 01 runs fast and brakes steadily

 To measure the performance of a car, it is important to run fast, and the stability of braking cannot be ignored. The 2024 Dcar summer test has specially set up a "wetland braking test" subject to test the distance required for 34 test vehicles to stop from 100 kilometers per hour in high temperature and wetland environments.

The test results showed that the BYD Han EV sedan ranked first in the overall ranking with a braking distance of 41.32 meters. The Qjie M9 braking distance was 42.59 meters, ranking second in the overall ranking, making it the best performing model among all the SUVs participating in the test. The affordable model Chery iCAR 03 took third place.

It is worth noting that the Lynk & Co 08 EM-P, a hybrid mid-size SUV jointly built by Geely and Volvo, and the Extreme 01, an all-electric mid-size SUV jointly developed by Geely and Baidu, took fourth and fifth place respectively in the "wetland braking test" after leading in a number of previous tests.

In all test subjects, Lynk & Co 08 EM-P and Jiyue 01 cars not only braked steadily, but also ran faster and more steadily. In another test, "Circuit Lap Test", the two cars achieved the first and second rankings of the SUV list respectively. In the "Extended Range/Plug-in Hybrid Loss Fuel Consumption" test, Lynk & Co 08 EM-P ranked second in the overall list. In the "Pure Electric SUV/MPV Range Achievement Rate" test, the Jiyue 01 took the top spot. In the "Rainy Night Meets Broken Car" test, both cars also passed the challenge at a speed of 60 kilometers per hour.

It can be seen that whether it is acceleration, braking, battery life, active safety, Lynk & Co 08 EM-P and Extreme 01 have outstanding performance in the test. Behind this, Geely, as a leading independent car company, has shown its strength. In addition, BYD, Chery, Changan, Great Wall and other Chinese car companies also performed well in different subjects of the 2024 Dcar summer test.

The old Mo of "Hurricane" has changed to delivery! How do actors experience life?


1905 movie network feature "Old Mo" doesn’t sell fish, but runs errands instead?


Recently, Feng Bing, the actor of "Lao Mo", was recognized by passers-by in Shanghai as a rider. Wearing a helmet and riding a battery car, he shuttled through the streets and alleys, rushing to deliver orders in a hurry, almost like a real rider. Faced with the questions of passers-by, Feng Bing responded calmly that he happened to be filming in Shanghai, and became a rider to experience life.


The film is based on the true stories of hundreds of delivery workers. Feng Bing’s brief foray into the world of horsemen was presumably in preparation for shaping his character.



In fact, whether it is a delivery person, a doctor, a teacher, a pilot, or a group of people, whether it is performing a specific group of people or a social celebrity, experiencing life is not only a manifestation of an actor’s professional quality, but also the root of artistic creation. A good performance requires not only solid skills, but also deep life accumulation and emotional experience.


Feng Bing is just a microcosm of thousands of actors. It is precisely because of the immersion and preparation of life that actors have the opportunity to create a true and touching artistic image, stunning countless audiences, and contributing to the birth of masterpieces.



Experience life and become a character


Under the spotlight, it shines brightly. Actors can "travel" through time tunnels, delve into various characters, look back on past dynasties, and experience the various states of life; at the same time, it is also a very challenging profession, which requires rich imagination and deep understanding to materialize the characters of the script.


It takes a lot of hard work to go deep into life, draw inspiration, and then integrate into the character.


During the filming, Jiao Yulu visited all the places where Secretary Jiao used to live, not only did heavy agricultural work, but also listened to dozens of party classes, and experienced everything according to the secretary’s appearance. Guo Xiaodong said, "Everything I do is to live up to the three words’Jiao Yulu ‘."



"Mei Lanfang" prompts the willingness to follow and appreciate the essence of Peking Opera; in order to get close to the image of Wang Jicai, he came to the island in advance to be exposed to the sun, causing several burns, redness and swelling on his skin…


By experiencing the life of the archetypal character and even imitating the habits of the archetypal character, actors can gain a deeper understanding of their inner world and emotional changes, and can more accurately present the character’s state when performing.



Taking a step back, even if you can’t find the exact same prototype as the character, experiencing life can allow actors to find common ground in different characters and become a breakthrough point for shaping characters.


In the role of a deaf-mute person, he went to a deaf-mute family to learn sign language and observe; before joining the group, he underwent three months of military training; in order to play a purser, he took the initiative to go to the airline for professional training…



No matter whether it is performing a specific group or a social celebrity, experiencing life is the embodiment of an actor’s professional quality and the root of artistic creation. Infiltrating the every bit of the script description and finding the state of natural life in a specific environment is the first step for an actor to deliver an excellent performance.


Feel life, moisturize things silently


Study art and self-cultivation first. In addition to feeling the life of a specific character or a specific group for a certain character, actors can self-increase, broaden their knowledge horizons, and enhance their cultural literacy, which can also provide inspiration and support for artistic creation. On actors’ self-cultivation, they can quietly integrate into various character portrayals with the moisturizing things they observe in daily life, which is also a deeper level of performance.


"The so-called experiencing life, don’t think too complicated, as long as you are full of questions about everything you see, and then answer your questions, it is the best observation. The harvest of observation may be unknown for the time being, but it is very important." When talking about the performance, he said.



Zhang Songwen is undoubtedly an observant actor. In his spare time, he grows flowers and grass at home and walks around the surrounding markets. He is familiar with the vendors and occasionally helps to hawk. He is close to the neighbors and likes to sit and watch the chess game. The bustling crowds on the streets are his objects of observation, and so are the busy workers in the store.


Zhang Songwen once paid attention to the daily life of a fried chicken shop employee, from preparing ingredients to frying chicken to smiling at customers. The casual observation left a deep impression on Zhang Songwen’s state. When he encountered a similar character in a work, he said that his performance unconsciously "restored" the employee.



Zhu Yilong once confessed in an interview that when he played the down-to-earth funeral practitioner "Mo Sanmei", the usual life materials often appeared in his mind, which helped him a lot. Experiencing life has become an important part of his acting method. "Find the common parts of the characters in different characters, and then bring them together, so that the specific appearance of the characters in the mind is full, so that the heart is full, and a person cannot be shaped by imagination alone."



"If you should take the subway, you should take the subway, and if you should take the bus, you should take the bus. If you should see the variety of life, you have to look at the variety of life. Without these things, you will never be able to play the role you want to play."


From the perspective of artists, they should not treat themselves as artists, but as ordinary people, observing what happens in life, in order to absorb performance nutrients.



Signature vlog "Riding This Way", video-based life diary… The public can often see artists posting their photos on social platforms. While they are immersed in the joy of life, they are also reminding themselves to accumulate experiences in their experiences. Performance requires creativity. Life is an inexhaustible source of creativity.


In recent years, the movie channel has continuously launched the "Star Ocean Young Actors Selection Program", which aims to tap into the potential and organize them to take root at the grassroots level, enrich their life experience, and complete their creative collection. The original intention is also to encourage actors to return to their original hearts and feed back their performances.


Actors are not only performers, but also observers. By experiencing life in a variety of ways and enriching their experience with practical actions, they can help their performances become more infectious and convincing, and bring more touching works with true warmth to the audience.


Lin Qingxia talks to her teacher about a dream of Red Mansions, less like Daiyu and now like Baochai (Photo)



    China News Service, November 6, Lin Qingxia, a big star, has a "unique idol" in her heart, which is Taiwan’s cultural celebrity Jiang Xun. She once flew to Taiwan once a week just to attend Jiang Xun’s aesthetics class and listen to him talk about the dream of the Red Chamber.


    According to Taiwan’s United Daily News, after the "Awakening of Beauty," Lin Qingxia was moved to tears in front of the statue, and she was also enthusiastic about writing calligraphy, painting, and trying to write. Art kindled her enthusiasm, and even vowed to become an artist at the age of 60.


    Born in Xi’an, Jiang Xun is known for his floral waterscape paintings, and is loved by students for his aesthetic teaching and thinking. In addition, he has published several collections of poetry, served as the chief editor of Taiwan’s early art publication "Lion", and is currently the president of "United Literature".


    Q: When did Jiang Xun become Lin Qingxia’s idol?


    Lin Qingxia (hereinafter referred to as Lin): A friend gave me a CD of Teacher Jiang talking about the Dream of Red Mansions. I really wanted to see him after listening to it. Later, when I found out that Teacher Jiang was starting classes here, I took advantage of visiting my father in Taiwan every week.


    Teacher is my only idol, can’t get too close, too close I will be afraid, haha.


    Jiang Xun (hereinafter referred to as Jiang): Yang Fan (Hong Kong film director) laughed at her: "You must have no idol in your life, you must find an idol."


    Lin: The teacher is still my half sleeping pill. Because listening to the teacher talk about the disc (CD) of the Dream of Red Mansions, my heart is very stable and it is easy to fall asleep.


    Jiang: I was also told by someone on the MRT (urban railway) that he had long insomnia and fell asleep as soon as he listened to my audiobook. My voice made him quiet. I am very happy.


    Q: What is the reason for opening the private lecture hall of Dream of Red Mansions?


    Jiang: At first, a group of good friends hoped to have different spiritual pursuits outside of a wealthy life, so at first they not only talked about the Dream of the Red Chamber, but also studied Chinese art history and Western art history; it was just a small class of ten or twenty students, and classes were held every Friday afternoon.


    When Qingxia first came to class, I was very nervous. She is a big star, and the staff who borrowed our venue came to line up two rows and waited to see Qingxia. I was still inevitably disturbed by the media’s shaping of her…


    Lin: His eyes didn’t even float to my side! I sat on the side, and he almost saw me, and his eyes moved away again. I thought, well, this is very safe, the teacher doesn’t look at me, so I put on my reading glasses, but I didn’t expect to look up, Oh, the teacher saw me!


    Jiang: Haha, as soon as I saw Qingxia wearing presbyopia glasses, the big star suddenly became a real person – she would be presbyopia too! After that, I felt so relaxed, as if the spell had been broken. Therefore, it is a great practice to know the essence of a person with a clear water. Qingxia is my very important homework.


    In those years, most of the classes were taught by wealthy people, and Dream of the Red Chamber was also about the things of wealthy families, and also about the pain of deep love. It has been more than a year since the class ended, and everyone has changed a little, and some people have left. They called me teacher, but I have learned a lot from them, because I believe that it is not easy to pass the level of wealth and deep love.


    Q: Lin Qingxia once played Jia Baoyu. What is her experience when reading Dream of Red Mansions?


    Lin: Everyone guessed that I played Lin Daiyu, Zhang Aijia played Jia Baoyu, and then we switched. Director Li ("A Dream of Red Mansions" director Li Hanxiang) said, I have a feeling that the jade tree is in the wind, and I also think I can play it.


    The roles I have played, I love the male actor: Jia Baoyu and Dongfang Undefeated.


    Jiang: I think Li Hanxiang is amazing. Qingxia has a kind of heroism between her eyebrows and eyes, and he can see it. I just came back from Paris to see this movie, and I remember it very clearly. She was so thrilling when she was beaten by Jia Zheng!


    Lin: My little daughter didn’t dare to watch that scene and hugged me blushing. I told her that I actually put on a towel and wasn’t afraid, not afraid.


    In real life, some people guess that I am Xue Baochai. I hope to be able to be Wang Xifeng, so good at housekeeping, but not so poisonous. In fact, there was a nasty part of Lin Daiyu’s personality in the past, crying, sensitive, and worried, and others thought I was awkward.


    Jiang: Looking at Qingxia’s "Outside the Window", I know she must be very awkward. Her face is covered with a layer of fog, and joy and sadness are mixed on her face.


    Lin: I was too simple at that time. I had just graduated from high school and was only seventeen years old. But when the teacher met me, I had already become Xue Baochai. After getting married, I changed roles naturally.


    Jiang: We all have Lin Daiyu and Xue Baochai in our characters, and we will always be in conflict between the two personalities. Lin Daiyu died with uncompromising persistence, and Xue Baochai knew how to be harmonious and compromise with the world to survive. We need to have self-persistence inside, and be able to get along with people easily outside. It is a great wisdom to be able to balance the two.


    Lin: Well said, that’s what happened! When I was a teenager, I loved to talk about my worries, and I didn’t know what I was worried about, and I was very unhappy. Before the age of 30, my pain accounted for 80%. Once I looked in the mirror and asked myself who I was? What did I look like? Director Tan Jiaming said to me: "If you can ignore people’s opinions, you will succeed."


 




    Girls’ feelings are like Daiyu, marrying into Xing Mansion is like Baochai


    "The tide is coming and going, and the white clouds are still in the corner of the green mountain." Jiang Xun wrote a poem, framed it as a hanging shaft and sent it to Lin Qingxia. Very calm characters, he said that he wrote it after forty-five minutes of meditation, and gave her this quiet, so that she can visualize it when she meditates. "It’s so beautiful! It’s like Master Hongyi’s characters, um, better than Hongyi!" Lin Qingxia couldn’t stop admiring, but also because of her intimate consideration.


    For this teacher-student conversation that originated from the Dream of the Red Chamber, Lin Qingxia flew from Hong Kong and returned to the place where she used to talk about the Dream of the Red Chamber in class with Teacher Jiang, but some of her classmates were no longer there. In the old place, the teacher was still Jiang Xun, and Lin Qingxia was the only student.


    A stranger on the MRT once said to Jiang Xun: "You donated a bell in the temple in your previous life, so you will have a good voice in this life." Lin Qingxia said Jiang Xun was her "half sleeping pill", and his voice brought calming power.


    Jiang Xun claims to be an "aesthetic evangelist". He talks about beauty, which is so moving that it almost has the power of religious infection. The "Dream of Red Mansions Private School" opened for rich friends is like a metaphor for real life; when he tells a book, he also looks into the hearts of the listeners; Lin Qingxia’s eyes looking up to Jiang teacher are not limited to red school, but seek guidance for walking life.


    Everyone can see themselves in "A Dream of Red Mansions," Mr. Jiang said, even the villains Xue Pan or Jia Rui. Lin Qingxia, who was praised by the director Tsui Hark as "a beauty who only came out in 50 years," sees a certain part of Lin Daiyu’s sensitive and awkward young personality. But friends who know "Mrs. Xing" in Hong Kong guess that she is like Xue Baochai who knows the world.


    But she admires Wang Xifeng, the capable housekeeper; and Cecilia, the wife of the former French president who has just been freed from the shackles of the "first lady", also makes her admire: "How can she be so dashing?"


    Through the halo of a big star, Jiang Xun saw her emotions and vulnerability as a human being, as well as her joy as a mother, with his broad experience in life, "I love watching you talk to your daughter on the phone, your whole face is lit up." Jiang Xun’s understanding and guidance also gave Lin Qingxia the space to be comfortable in the world where she was not allowed to be fat or ugly.


    Lin Qingxia, who decided to be happy after the age of 30, wants to laugh more by herself, "If you laugh more, you’ll get used to it." Now it’s easy: being photographed frowning, the Hong Kong media guessed that she was depressed; her clothes were loose, and the gossip said how she became fat? Lin Qingxia said magnanimously: "I don’t care what they write, as long as the photos are beautiful!" Drinking the handmade rice wine that Lin Qingxia specially brought for him, Jiang Xun’s face was slightly red and he nodded at Qingxia.


    Knowing each other in the world is also a heartfelt beauty. Outside the window, neon lights light up one by one, and Lin Qingxia walks out of the "Dream of Red Mansions" with tears in her smile, rushing to catch a flight back to her "Xing Guofu" overnight.


 

Editor in charge: Liu Li

The truth behind the capacity of Xiaomi virtual standard power bank: is it counterfeit products or opportunistic speculation?

CCTVIn the "Weekly Quality Report" reported the results of the monitoring of the national power bank by the General Administration of Quality Supervision, Inspection and Quarantine before knowing the real situationmilletMobile power supplyThere are problems such as false reporting of battery capacity. In the program, CCTV said that the General Administration of Quality Supervision, Inspection and Quarantine sampled 32 batches with a total of 224 mobile phones.power supplyThe results showed that none of the 224 samples were qualified, and the capacity deviation rate exceeded 50%, less than half of the marked capacity. Xiaomi Mobile’s 5200mAh mobile power supply was also included.

The quality and safety risk monitoring results of mobile power supply products by the General Administration of Quality Supervision, Inspection and Quarantine are alarming: 100% of the samples collected in 32 batches have quality and safety risks.

According to Lu Chunming, deputy director of the General Office of the General Administration of Quality Supervision, Inspection and Quarantine of the People’s Republic of China, among the 32 batches of mobile power supplies, 9 batches of products failed the impact test of battery cells and heavy objects, and there was a risk of fire and explosion when an internal short circuit occurred; 28 batches of products failed the output electrical performance test, and there was a risk of damage to the charged equipment; 20 batches of products failed the flammability test of the shell material, and there was a risk that the battery cells could not be ignited. In addition, 17 batches of products had the problem of false capacity labels.

Xiaomi responded publicly to the CCTV report on Weibo.

Xiaomi said in a statement that they contacted relevant personnel of the State Administration of Quality Supervision, Inspection and Quarantine before the CCTV report, and the Xiaomi mobile power bank participating in the sample survey was not purchased from Xiaomi’s official channels or authorized channels.

Xiaomi stated that Xiaomi has been strictly labeled according to the actual capacity of the battery cells, and has passed the strict test of the international authoritative organization SGS. It also reminds consumers that they must purchase Xiaomi products through regular channels such as Xiaomi’s official website.

Xiaomi’s official response:

Xiaomi officials also said that it has been plagued by counterfeiting, and this time even the General Administration of Quality Supervision, Inspection and Quarantine has becomeCounterfeit productsThe "victim" of the goods. The staff of the General Administration of Quality Supervision, Inspection and Quarantine said that we wanted to buy it from Xiaomi’s official website at first, but we couldn’t buy it.

Commentators believe that Xiaomi’s crisis public relations on CCTV’s report is really good. After CCTV’s report, Xiaomi immediately responded that the Xiaomi mobile power tested by CCTV was not purchased from official designated sales channels, and CCTV tested "counterfeit products". Take this opportunity to remind consumers to beware of counterfeit products Xiaomi mobile power.

For Xiaomi’s crisis public relations speed and skills, it is indeed very commendable. It immediately turned the crisis into providing consumers with a way to identify the authenticity, and also told the outside world from the side through this incident that the Xiaomi brand is very valuable. Because there have always been various products that are copied from Apple, there are now many counterfeits of Xiaomi.

However, Xiaomi mobile power supply does not need to be snapped up at present. It is available on the official website and Tmall flagship store. There is no need to make an appointment to snap up. You can buy it online at any time. I don’t know why CCTV can buy "counterfeit products"?

But if CCTV really bought "counterfeit products", this just shows several problems. First of all, the sales channels of Xiaomi products are very confusing, not only the channels they officially claim, but also many offline channels.

Secondly, the "hungry and thirsty marketing" of Xiaomi products has led to a large number of scalpers, which has flooded online and offline stores with Xiaomi products at various prices. Especially when Xiaomi mobile phones are snapped up, how many units are set up for users to snap up each time, and whether the purchase is really completed each time, these consumers cannot know, which is also the "hungry and thirsty marketing" model that the outside world has always questioned. The number of Xiaomi mobile phones snapped up each time is not announced to the public, which should be contrary to the "Consumer Rights Protection Law". "Consumers have the right to know the true situation of the goods or services provided by the operator. But using the" hungry and thirsty marketing "method can create hot-selling news, thus taking advantage of consumers’ herd psychology to produce a follow-up purchase effect. Is there any suspicion of taking advantage of legal loopholes? This issue can only be left to the legal community to discuss.

There are also netizens who don’t mind the big things, saying that Xiaomi’s ability to attract hatred is really strong. Usually, CCTV will be scolded for anything it says, and no one believes it. As a result, when they criticized Xiaomi, netizens began to say that CCTV is a conscientious media and trustworthy…

Notice on Strictly Implementing Relevant Requirements for Online Car-hailing and Hitchhiking Epidemic Prevention and Control Management

Notice on Strictly Implementing Relevant Requirements for Online Car-hailing and Hitchhiking Epidemic Prevention and Control Management
Joint prevention and control mechanism issued [2020] No. 2

All online ride-hailing and ride-hailing platform companies:

In order to implement the spirit of the important speech of the General Secretary of the Supreme Leader on coordinating the promotion of COVID-19 epidemic prevention and control and economic and social development, according to the decision-making and deployment of the Leading Group of the CPC Central Committee for Novel Coronavirus Prevention and Control, in accordance with the relevant requirements of the State Council’s response to the COVID-19 epidemic joint prevention and control mechanism and the capital’s strict entry into Beijing management joint prevention and control coordination mechanism, and further standardize the epidemic prevention and control work such as online car-hailing, car-hailing leaving Han and Hubei and entering and leaving Beijing, the relevant requirements are hereby notified as follows:

Fully understand the extreme importance of epidemic prevention and control in and out of Beijing.As one of the important tools for urban transportation, online car-hailing and ride-hailing are likely to be used as channels for evading prevention and control investigation requirements, illegally entering and leaving Beijing, Hubei and other places, disrupting the order of epidemic prevention and control, and threatening the health of the people. All platform companies are requested to earnestly study and implement the important instructions of the General Secretary of the Supreme Leader on "resolutely winning the Hubei defense war and the Wuhan defense war" and "making every effort to do a good job in Beijing’s epidemic prevention and control work", strictly implement the main responsibility of the platform company, take the initiative to serve the overall situation of prevention and control, and in accordance with the deployment requirements of the epidemic prevention and control joint prevention and control mechanism in Hubei and Beijing, resolutely put an end to paralysis and luck, and grasp the epidemic prevention and control work.

Second, completely suspend the online car-hailing and ride-hailing business in China and China.All platform companies should implement and continue to implement strict control measures for the passage from Han and Hubei, strictly in accordance with the relevant provisions of the Hubei Provincial novel coronavirus infection pneumonia epidemic prevention and control headquarters, completely suspend the online car-hailing and ride-hailing business from Han and Hubei, and resolutely prevent the epidemic from passing through the network car-hailing and ride-hailing from Wuhan and Hubei.

III. Completely suspend the business of car-hailing and ride-hailing in and out of Beijing’s cross-city network.The security and stability of the capital is directly related to the overall situation of the party and the state. All platform companies are requested to strictly follow the relevant provisions of the capital’s strict entry into Beijing management joint prevention and control coordination mechanism, completely suspend the cross-city network car-hailing and ride-hailing business in and out of Beijing, resolutely prevent the epidemic from entering Beijing through the network car-hailing and ride-hailing, and fully serve the overall situation of epidemic prevention and control in the capital.

IV. Strictly pursue accountability.For platform companies that hinder and interfere with epidemic prevention and control work and endanger the lives and health of the people, the COVID-19 joint prevention and control mechanism of the Ministry of Transport will work with the inter-ministerial joint conference on coordinated supervision of new forms of transportation to guide relevant local management departments to deal with them quickly and strictly in accordance with laws and regulations. If the epidemic is caused by the input and output, in accordance with the relevant requirements of the joint supervision of the online car-hailing industry during and after the event, the relevant platforms will be organized according to laws and regulations to suspend the release, remove the mobile Internet application (APP), and stop internet services, stop networking or shut down for rectification and other measures. Those who violate relevant laws will be transferred to the relevant departments to seriously investigate the legal responsibilities of the platform companies and relevant personnel according to law.

Joint prevention and control mechanism of pneumonia epidemic in response to novel coronavirus infection
(Acting chapter of the Emergency Office of the Ministry of Transport)
March 1, 2020

With the expectation of "Wind", can the spy film "Knife Point" reach another peak?


Special feature of 1905 film network Based on the novel of the same name, the spy war giant system was released nationwide today. This film tells the story of Nanjing during the Anti-Japanese War, when the Japanese and the puppet governments infiltrated each other, and the ace agents Jin Shenshui (ornaments) and Lin Yingying (ornaments) walked on the tip of the knife with a group of agents with different ambitions.



This time, the Mai family in Gao Qunshu joined hands again, and then can it once again become a brand-new legend of spy war?



After "Wind", "Knife Point" is hard to reach the peak again.


How popular was The Wind in those days? In 2009, the spy film Wind, which was directed by Gao Qunshu and adapted from Mai Jia’s novel, was born, winning 235 million box office, which not only set off a frenzy of contemporary spy film creation in China, but also won the highest score of Chinese spy film with a score of 8.4, and won numerous awards at major film festivals and award ceremonies, becoming the peak of China spy film.



After The Wind, the spy war masterpiece Knife’s Tip was filmed. Director Gao Qunshu said frankly that he was going to shoot something different and focus on the relationship between the times and fate. Therefore, the story background of this film was set in Nanjing under the rule of Wang puppet regime in 1940, rather than Shanghai, where spy war works were the most common.


In the propaganda of Knife’s Tip, what worries Gao Qunshu most is how to make people not associate with Wind. In his view, "Knife’s Tip" is about the choice and helplessness of personal fate in the complex and turbulent era at that time, but it just happens that the role is an agent.



However, judging from the artistic quality of the films, there is indeed a certain gap between the two films. The movie The Wind has a higher degree of completion, and the story is simple, focusing on a specific thing like a script killing, while The Knife’s Tip has a richer plot and tells a bigger story, but the details in its story, including the relationship between characters and stories, the relationship between styles and themes, are not complete enough, and the feeling of holding the audience away from the wind is missing!



It is difficult to hide the shortcomings of group play when the bones of the play gather together


The cast of this film is also very strong, starring Zhang Yi, Lang Yueting, and starring,,,,,,, especially. It is expected that a number of actors will join us.


In this film, Zhang Yi plays the special agent Jin Shenshui, who has multiple identities, and walks among the forces of the Japanese military, the puppet government and the military junta, just like walking at the tip of a knife. Zhang Yi said that the growth process of the role is the awakening of an agent. From the beginning, it was just for revenge, to finding faith with the help of comrades-in-arms and moving closer to anti-Japanese organizations, we can see the growth of the role "from iron to steel".



In addition, Gao Jie’s eagle dog, who plays the role of "profit" in this film, is full of malice and malice. Cheng Taishen, just sitting quietly in the picture, didn’t say a word, all is wily.



However, although the film Knife’s Tip is a gathering of drama bones, it is not satisfactory in shaping the group scenes. In contrast, in the movie "Wind", there are big flowers competing with each other, and there are also small students fighting with each other. In the first hour of the movie, the game scenes between the protagonists leave a lot of room for the group drama of the movie.



The complex relationship between the characters and the multiple identities and tasks of the same character in Knife’s Tip made the audience feel "brain-burning". In order to tell the story completely, the director hid a lot of plot information in these two hours. Therefore, in the second half of Knife’s Tip, several core characters showed a sense of panic to the audience with the rhythm of one victim for ten minutes. Such a change in the fate of the characters, because the development time is too short, it is difficult for the audience to have enough cognition and judgment on the characters. In the movie, except for three main characters, such as Jin Shenshui, with some characters’ arcs, all other characters serve the plot like NPC, and there is no room for other characters to grow and change.



On the other hand, there will be some misplacement between the way the characters are portrayed in this film and the appreciation habits and levels of the current mainstream audience. For example, in the scene of Li Bingbing and Zhou Xun in The Wind, the mutual verbal test and the change of expression in the camera will give the audience the pleasure of reading and make people look very enjoyable. However, when the Japanese army suspects Lin Yingying in Knife Point, her defense is to cover for herself by revealing the shortcomings of others, and this process of revealing shortcomings is very direct, which makes people feel that its overall plot and lines are not intelligent enough.



If we look forward to the Wind and see the Blade’s Tip, which may be disappointing, but if we just look at the Blade’s Tip, will we be moved by its ups and downs, suspense and thrilling confrontation between light and dark? Let’s go into the cinema and find out!


Behind the booming live broadcast: three products are flooded, and brushing traffic is frequent.

  In the past few days, this newspaper has continuously reported the hot situation of live broadcast of goods on e-commerce platforms. Then, is the quality and safety of the goods that consumers buy in the live broadcast room excellent, and can the after-sales rights be guaranteed? Behind the booming live broadcast, how the platform and anchor should be self-disciplined and effectively supervised has become the focus of consumers’ concentrated attention.

  The advantages and disadvantages of live broadcast products are in doubt.

  "The price is indeed cheaper than the discount store, but the size and specifications are not the same as the genuine ones." Consumer Mr. Liu told reporters that when he was preparing to place an order to buy a well-known brand sports shoes in the live broadcast room of an e-commerce platform, he found that the 42.5-yard merchants he usually wore did not provide them, and all the optional sizes were integer sizes, and all the "half sizes" were not available. "There are genuine counters in all styles ’ Half size ’ Yes, so I feel that the shoes sold in this live broadcast room are still a bit uneasy. " The reporter learned in the interview that many consumers have doubts about the goods in the live broadcast channel. Mr. Wang, a consumer, said that he saw a mosaic toy during the live broadcast on the e-commerce platform. From the trademark to the packaging box and the theme content of the product set, it was very similar to a well-known brand. On the live broadcast interface, there were even less conspicuous subtitles that were compatible with the building blocks of well-known brands, and the sense of "cottage" was particularly obvious.

  Is the "original ecology" product reliable?

  Near the Spring Festival, many agricultural products from rural sellers are very popular in the e-commerce new year promotion activities. Reporters have seen products such as "rural autotrophic pigs", "earth eggs", "farm bacon" and "homemade honey" in the live broadcast rooms of many platforms, but are the quality of these so-called "original ecological" agricultural products directly from the fields really reliable, and is food safety guaranteed? When the reporter communicated with an anchor specializing in "rural autotrophic local pigs", he learned that all the pork, pig liver, pig lungs, etc. sold in the live broadcast room had not been inspected and quarantined. During the live broadcast, the anchor clearly told the reporter that if you want the quarantined pork, you can only go to the supermarket to buy it. The pork sold in his live broadcast room is "self-supporting by farmers" and is now slaughtered and sold without quarantine. In addition, the reporter also saw some bacon, honey, rice wine, etc. recommended by the anchor, which looked good in color and flavor, but it was impossible to know whether the production process and the use of ingredients and additives were standardized.

  Anchor "self-discipline" can not be ignored

  The reporter learned in the interview that with the increasing popularity of live broadcast, the "price tag" of some online celebrity anchors has gone up, especially the "head anchor" of live broadcast channels on several major platforms, and the price of live broadcast and anchor commission have been considerable. Therefore, data related to the live broadcast traffic and conversion rate of the anchor commission income are becoming more and more important. According to industry sources, in order to increase the price of the goods and the commission of the anchor, the situation of "brushing the bill" and "brushing the flow" occurs from time to time. This is untrue data for merchants, and to a certain extent, it constitutes false propaganda, misleading consumption, and even a deceptive behavior for consumers. These have become problems that consumers, manufacturers, merchants, platforms and anchors have to face. At the moment when the laws and regulations related to live broadcast delivery are still not perfect, the "self-discipline" of the platform and anchor is particularly important.

  Our reporter Zhai Weilu

The birth of the music of the constitutional oath ceremony played by the PLA Military Orchestra

  The PLA Military Orchestra played the swearing-in ceremony in the Great Hall of the People. Photo by Sun Xiaomeng

  This is the first time since the founding of the Republic that a grand constitutional oath ceremony was held at the National People’s Congress. The people of the whole country witnessed this solemn and sacred process through television cameras.

  As part of the swearing-in ceremony of the national leaders’ constitution, the two pieces of music, the swearing-in ceremony song and the chairman’s horn, were specially created by the PLA Military Orchestra and have not been played in public before.

  "Now hold the constitutional oath ceremony of the first meeting of the 13th National People’s Congress of the People’s Republic of China!" At 10: 50 am on March 17th, a solemn and powerful bugle sounded at the Great Hall of the People. With the music played by the Military Orchestra of China People’s Liberation Army, the swearing-in ceremony of the Constitution kicked off. The ceremonial soldiers marched forward, escorting the Constitution of People’s Republic of China (PRC) and placing it on the oath platform.

  接着,新当选的国家主席、中央军委主席习近平从主席团座席起身走向宣誓台时,又一段铿锵激昂的号角奏响,将整个宪法宣誓仪式烘托得更加神圣与庄严。

  创 作

  “今年2月初,全国人大交给我们一项任务——为宪法宣誓仪式创作一首乐曲。”解放军军乐团副团长张海峰告诉记者。

  这样的创作,看似开放自由,实则限制颇多,音乐的时长、风格、元素等都需要考虑仪式的实际情况。

  军乐团经过研究,首先将音乐形式确定为号角。“号角,有昭示的含义。”在宪法宣誓仪式中,宣誓人庄重地诵读誓词是整个仪式最重要最核心的部分。在此之前演奏号角,昭示神圣的一刻即将来临,最为合适。

  “第一,选用国歌作为音乐素材;第二,最后以长音收尾;第三,乐曲的配器增加长号。”代表军乐团在人民大会堂里工作了34年的张海峰根据自己的经验给创作者提出建议。

  在这样重要的场合上,使用的音乐元素需要慎重考虑,国歌无疑非常合适——它是国家的象征,足够庄重,仪式感强。

  乐曲以长音结尾,则蕴含微调的妙处。“举行宪法宣誓仪式时,宣誓人既可能是一位领导人,也可能是数位领导人,走到宣誓台前的脚步有快有慢。以长音收尾,便于根据实际情况对尾音做出调整。”张副团长说。

  至于乐器的选用,“通常说来,号角用小号作为主要乐器。但增加长号后,声部可以由3个变为8个。”短短20秒的乐曲才能够表现足够丰富的内涵。

  最终,创作了“9·3”阅兵号角、2018年元旦天安门升旗号角等作品的解放军军乐团创作室副主任郭思达完成了作曲任务。作品交回人大审定后,获得通过。军乐团又收到建议,再创作一首。

  “新的曲子可以使用国际歌作为素材,并增加乐器小军鼓。”张海峰从党代会闭幕式上演奏的国际歌得到灵感。

  最终,第一首曲子被选作宣誓仪式曲,第二首曲子由于打击乐的加入,节奏感强,更加激昂奋发、铿锵有力,成为主席出场号角。

  准 备

  解放军军乐团此次演奏宣誓仪式曲和主席出场号角时,在形式上做出了特别安排——通常只用在室外举行的国家典礼上的礼号,首次走进了人民大会堂。八面号旗挂在微微上扬的号管上,给人以耳目一新的感觉,仪式感更强,烘托典礼的隆重。

  In order to ensure that there are no mistakes in the performance at the constitutional oath ceremony, "I went to the General Assembly Hall to rehearse for five times." As the conductor of live performance at the venue, Zhang Haifeng said.

  However, the first rehearsal found problems. Generally, when a band plays, a certain distance will be left between the conductor and the musician, so that the musician can observe the conductor’s movements. However, limited by the space in the Great Hall of the People, there is only one row of seats between the conductor and the first row of musicians, and the stations are almost parallel. In the past, the band could make trombone players stand back by adjusting their formation. But this time, there are only eight trumpeters, eight trombones and two military drummers. In this way, the distance between the trombone player and the conductor is too close, and the line of sight is just blocked by the horn of the trombone, and the conductor’s action is completely invisible.

  In order to solve this problem, the military orchestra asked the musical instrument support personnel who should have been sitting in the back row to leave to make room, and the musicians moved back two rows as a whole.

  Play

  Eighteen performers of the PLA Military Orchestra have been carefully selected from the orchestra and participated in many important performance activities. They are of excellent quality and confident in their performances.

  However, because of the many "firsts" of activities, there is no experience to refer to, and I am still nervous. "The procedures for swearing-in activities need to be remembered in particular." For example, before president and the chairman of the Central Military Commission take the oath, the host of the conference will first announce the ceremony, and then broadcast it once by the live broadcast host of the conference. At this time, the performance will start; Before the vice chairman and members of the Central Military Commission take the oath collectively, the host of the live broadcast will increase the password of "Please take the oath in place".

  Before the performance, although Zhang Haifeng had memorized the procedure, his heart was still tense. The same is true for musicians. "At that time, some trumpeters were already inhaling and ready to play, but I couldn’t beat until the password was finished." Zhang Haifeng said, "All the comrades in the regiment are sweating for me."

  At the end of the performance, Zhang Haifeng felt proud and lucky. Proud, he participated in such groundbreaking activities on such a solemn and sacred occasion as a live conductor on behalf of the military orchestra. Fortunately, he caught up with the new era. Since the 18th National Congress of the Communist Party of China, the frequency of military orchestras participating in major foreign affairs activities has become higher and higher, which has made him personally feel that the international status of the motherland is constantly improving and the country’s development is getting better and better.

  Tips and representative works

  The Military Orchestra of China People’s Liberation Army belongs to the Political Work Department of the Central Military Commission. Formerly known as the North China Military Region Military Band established in January 1948. In 1949, he participated in the founding ceremony in New China as the main band and played National Anthem of the People’s Republic of China for the first time. It was formally expanded and established in 1952.

  Over the years, the Military Orchestra has composed and performed more than 2,000 wind music works in different forms, and recorded and distributed hundreds of wind music tapes, records, music scores and monographs. Representative works include: Welcome March (Wei Qun), Farewell March (Zheng Lu), Flowers Song (Yan Xiao ‘ou), Athletes March (Jia Shuang), Horn of Handover Ceremony of Hong Kong and Macao (Wang Hesheng), Divided March (Luo Lang) and so on. (Reporter Shen Zhilin)

She broke her whole body and won international superstar status.

[Instant Universe]Yang Ziqiong was re-recognized by the younger generation in the year when he was about to turn 60.

It turns out that she is not only an action star, but also so cute and funny.

In this film, she plays an ordinary Chinese-American mother, who is in deep crisis of middle age.

But the painting style took a sharp turn for the worse, and she suddenly learned that there were countless parallel universes outside her world.

In the parallel world, some of her are big stars, some are cooks, and some have sausage fingers, all of which are more successful than her.

However, it happened that only she could save countless parallel worlds at this moment.

Because, only she, at every important turning point in life, has made the wrong decision-the worst person is in the most chaotic state and has the greatest potential.

Back in Yang Ziqiong’s universe, if there is such a turning point in her life, it should be her five scars and a tear.

Injury time: 1980

Pain-type spinal injury

Injury level ★★★★★★

Yang Ziqiong, 18, was shattered by the injury on his back.

She crossed the ocean at the age of 15, from Malaysia to England, and came to the Royal Dance Academy to study ballet. Now it has been three years.

In these three years, her dream is to be a great ballerina like margot fonteyn.

Dance classics like Romeo and Juliet and Swan Lake, and even open a ballet school one day.

But at the moment, the principal of the Dance Academy said something comforting in front of her.

What do you mean, "Dance also has many levels, not just dancing",

What do you mean, "We can definitely find a place where you can continue to engage in the dance industry without dancing",

It takes a lot of time to recover, but your back will get better in the end.

But Yang Ziqiong only felt that "a mirror was broken before my eyes".

She hurt her spine by practicing dancing, so it is impossible to dance ballet again.

With the help of the principal, she turned to study creative arts and minored in drama.

A dream was broken because of this injury, but another dream began because of this injury.

God made up his mind to send her to another fate with the injury on her back.

For Yang Ziqiong, the next few years were changeable.

First, her mother signed up for Miss Malaysia. She was reluctant to participate, but she won the championship all the way.

Then in China, a friend of Yang Ziqiong had dinner with a producer named Pan Disheng.

Pan Disheng said that he was short of an actress, so the friend took out a photo of the new Malaysian lady.

This cooperation was quickly promoted, and Yang Ziqiong flew to Hongkong, China, and filmed two watch advertisements.

She was partnered by Jackie Chan and Chow Yun Fat, who had become superstars at that time.

Then, the Pan Disheng took out a contract and asked Yang Ziqiong to join the Debao Film Company that he and Sammo Hung had just jointly organized.

A brand-new road of performing arts was paved in front of Yang Ziqiong almost overnight.

This is a road she never thought of.

Her family is well-off, her grandfather is the "father of Malaysian transportation" and her father is an elite lawyer. If she stays in her hometown, she can continue to be loved by thousands of people.

And now this road is to travel alone in a strange land and go to a strange business.

She showed the contract to her father in fear and trembling, hoping that his father would agree, and perhaps hiding a little bit of hope that he would stop her.

This decision, after all, is too big.

But when my father looked at the contract, it turned out that it was just an occupational disease attack and helped her modify the unfavorable terms-she didn’t even have the last reason to back down.

Father finally said, when you get there, you have to rely on yourself.

Counting, it’s been four years since the spinal injury, and my back is probably gone.

But this old wound has pushed Yang Ziqiong to the road of being an actress forever, and will also bring more wounds to her.

Injury time: 1985.

Pain type congestion

Injury level ★

In 1985, director Yuan Kui always thought that Yang Ziqiong’s elbow was so dirty on the set of [Royal Teacher Sister].

This doesn’t look good on camera He called his heroine and wanted her to clean up.

But when I got closer, I found out that it was congestion. And this 23-year-old girl didn’t say a word.

This is Yang Ziqiong’s first action drama, and it is said that it is the first time to open the film and television atmosphere of policewomen with guns.

Sometimes she chased after the speeding car, and sometimes she flew between the corridor fence and the beams and columns two stories above the ground.

She didn’t have to suffer this.

A year ago, when she first arrived in Hong Kong, China, Debao Film Company built her according to the most popular Hong Kong-made female stars at that time.

The first movie was called [Owl and Dumbo].

Her role in it, as she later said, was"girl in distress"Waiting for the heroes to come to rescue, laughing is gentle and pleasant, crying is like crying pear flowers with rain.

In the future, when people talk about Hong Kong female stars in the 1980s and 1990s, they will always mention them."Xiayu Fanghong"(Brigitte Lin, Maggie Cheung, Anita Mui, Cherie Chung), all of them are such glamorous types.

But Yang Ziqiong didn’t want to take this route. I’m afraid there is more than one reason.

She said that her Cantonese was not good, so when she hit a woman, she gave a beating, and she talked about fist and fist kung fu, so there was no need for so many fancy and difficult lines.

Coupled with years of dancing skills, Yang Ziqiong’s flexibility and flexibility are very good. Being an action actor seems to be a natural thing.

On the other hand, I’m afraid she doesn’t want to squeeze a track with the girls after seeing Hong Jiaban’s gang fight with their fists.

Sammo Hung hesitated at first. Can she, a beauty pageant champion and darling daughter, stand the pain?

But Yang Ziqiong may have put his father’s sentence when he left home"on your own"I kept it in mind, practiced hard for half a year, kicked my legs and sandbags every day, and did various physical training, which made people sit up and take notice.

She held on to a belief:"Girls can fight as hard as boys."

In the [Royal Teacher Sister], Yang Ziqiong and the ballerina who came across the sea to Xiangjiang are already two people.

She trimmed her short hair with skill, and every trick was simply biting. She threatened the bad guys with a heroic dry cloud and beat the criminals with a trick to death.

This film also completely subverts the image of policewoman in previous Hong Kong films, and is no longer used as a funny ornament or a pure "ornamental".

It is the first time for many viewers to see such a romantic figure.

Those bruises on her arms symbolize her first experience as an action actress.

In fact, compared with many injuries after her, they are nothing at all.

But these scars are a new beginning, and they witness her transformation.

The saying that "scar is a man’s medal" has long been old-fashioned. Yang Ziqiong has started a new era of beating women with bruises.

Injury time: 1992

The type of pain is almost concussion.(but not)

Injury level-

Time came to 1992.

The whole set, ran towards Yang Ziqiong in a panic, check her injury.

The mirror just now looked terrible. Yang Ziqiong fell to the ground awkwardly, and it looked very painful.

Strictly speaking, Yang Ziqiong didn’t really get hurt this time, but it was a close call.

This is the set of [Police Story 3: Super Police]. The action to be filmed is that Yang Ziqiong jumps off a moving truck and onto a convertible that Jackie Chan is driving.

The windshield will break at this time, and Jackie Chan will stretch out his hand to give her a buffer and let her slide along the front of the car to the ground to stop.

When you can shoot, almost no step happens as planned:

The prop device failed, and the windshield didn’t break. Jackie Chan failed to give Yang Ziqiong a reverse resistance. She fell off the front of the car and rolled all the way along the inertia, far behind the car.

Many years later, she recalled that if Jackie Chan hadn’t tried to get her in a panic, she would have landed on her head.

But at that time, Yang Ziqiong said to the staff who rushed to her circle, I know what to do. Let’s have another one.

There’s a reason why she can spell it like this.

Yes, a few years ago, she was the "most beautiful woman" and the audience went crazy for her.

[Chinese warrior]

But in 1988, she married Pan Disheng, the producer who discovered her, and announced her retirement.

The marriage lasted only three years, and she returned to the screen after divorce.

But the film industry, especially the Hong Kong film industry in those days, is changing rapidly. You can change an idol in three days, and who will wait for three years?

And [Police Story 3: Super Police] is Yang Ziqiong’s comeback.

For her, this movie is either successful or dead.

Even at that time, Yang Ziqiong’s stunt in [Police Story 3] was crazy in the frenzied environment of Hong Kong action movies.

She rode her motorcycle to the top of the train car that was running at full speed. Under this impact, the motorcycle also flew out and fell to the ground.

Her hard-working spirit even brought trouble to Jackie Chan.

What should I do? After all, this is a Jackie Chan movie. Big Brother can’t be compared, can he?

In order not to be overwhelmed by Yang Ziqiong’s flying stunt, Jackie Chan had to hang himself from a helicopter to do stunts.

He reluctantly asked Yang Ziqiong:"You don’t want to kill me? !”

In those years, the two of them, together with Jet Li, were the three injured giants who were shut out of the insurance industry.

The wound will live up to you.

[Police Story 3] Still a great success, the audience still loves Yang Ziqiong as if she had never left.

Then, it was [heroic trio] [tai chi zhang sanfeng] [Wing Chun] …

She was covered with scars, and got up again and again, proving again and again that only she could do Yang Ziqiong.

Injury time: 1995

Pain-type whole body fracture

Injury level ★★★★★★★

Yang Ziqiong was put on the sofa by the staff, and the whole person was supported by external forces. Almost all of her body was broken, and three ribs were broken, and she was put in plaster from her neck to her body.

Supposedly, she is having a good rest now and doesn’t see any guests, but at the moment, a guest comes from America and sees only three people.Jackie ChanJet LiAnd Yang Ziqiong.

This friend is too enthusiastic to persuade again and again, and it seems that he can’t get rid of it.

Moreover, he has a lot of connections-he won the Palme d ‘Or award with [Pulp Fiction] two years ago.Quentin Tarantino.

Visible on the surface, Yang Ziqiong’s injury, but let her even turned to look at Quentin.

This injury is in[Ah Kin](1996) fell on the set.

Akin in this film is a stuntman who makes a living in China and Hong Kong film industry.

In that scene, Ah Kin is going to jump off a 30-meter-high overpass and land squarely on an approaching truck.

During the shooting, the van was fake, so Yang Ziqiong didn’t have to jump at the right time. She would land on the mat under the bridge, but the 30-meter-high overpass was real.

When she jumped, the angle of fall was not good, and the whole person fell on the mat in a very twisted posture, with her legs completely broken and twisted over her shoulders.

On the way to the hospital, even if the ambulance just bumped slightly, she would go into shock with pain.

Later, when [Ah Kin] was released, a subtitle was left at the end of the film:

"On October 13th, 1995, Yang Ziqiong fell from a height when he appeared in the action scene of [Ah Kin’s story], and was seriously injured …

Only this film pays tribute to Yang Ziqiong and Wu Xing who has made great contributions to Hong Kong films. "

This line is of course good, but it can’t relieve pain.

After this serious injury, Yang Ziqiong began to seriously consider changing his career.

Why do you want to be an actor? Is it worth it? What if I get seriously injured again?

These questions haunted her mind.

But the guest in front of him didn’t care about this. Like the most enthusiastic little fan, he began to tell how much he liked her movies.

"I have seen every movie of yours."

To Yang Ziqiong’s surprise, the Hollywood guest began to dictate the shots of her action scenes frame by frame.

Including how she jumped on the fence on the second floor in one breath, hung the gold hook upside down, hooked one calf on the railing, and one bent down and broke the glass.

Like catching chicks, I picked up two minions who wanted her dead and threw them downstairs.

This is the first scene of her first action movie.

Yang Ziqiong probably remembered the feeling of that year. She really likes acting and acting too much. She can’t just give up.

At about the same time, she received a film contract for "Empire of Tomorrow 007".

This person who has not been knocked down by scars will become "bond girl on a par with Bond" in Hollywood’s eyes.

He will also go out of China and Hong Kong to become an international action movie star, and will continue to lay a broader foundation with his fists and fists in Hollywood movies such as [Sun Catastrophe] and [Mummy 3].

After that, there will be many universes such as [Star Trek], Marvel Comics, [Devil Hunter] and [Avatar].

Injury time: 1999

Traumatic ligament rupture

Injury level ★★★☆.

Yang Ziqiong’s injury this time has made the nice guy Ang Lee feel a bit "outspoken":

"Why is she? She is the only one who can fight! "

This is the set of Crouching Tiger, Hidden Dragon, which is supposed to be much safer than the overheated industrial environment of Hong Kong films.

However, experienced traffic police will tell you that accidents are not easy to happen on rugged and narrow mountain roads, and the most dangerous is often the seemingly Ma Pingchuan avenue that makes old drivers take it lightly.

Veteran Yang Ziqiong, planted in an ordinary roundhouse kick:

The leg bones collided and both major ligaments in the left knee were broken. The doctor said that he had to rest for a month or two.

But as soon as Yang Ziqiong finished the operation, he began to recover.

This film is not only important for director Ang Lee, but also of great significance to her.

According to Ang Lee’s words, Yang Ziqiong is an actor in acting."special case".

She has acted in many movies, but most of them are fast-moving consumer goods born under the Hong Kong film flowing water industry system, which is rich in big stars, but it is difficult to forge good actors.

(In other words, you can practice quick wits and reflexes, but your grasp of details is slow.)

Besides, most of Yang Ziqiong’s plays are action movies, and most of her plays are "played" rather than "performed".

Ang Lee is amazed at this and thinks that she is a rare one who still holds on to acting."naive"and"Curious"The big star.

For such a Yang Ziqiong, [Crouching Tiger, Hidden Dragon] is also a rare opportunity to ponder the role.

The injury caused by playing opera can’t stop her from thinking about literary drama.

She didn’t rest. After the operation, she returned to the set. Her injured leg was put up and moved out of the frame.

Ang Lee still remembers the scene of Yu Xiulian and Li Mubai’s life and death parting:

"Her cry is not a fake cry, it is really heartbroken."

"I know that she is crying not only about Yu Xiulian’s grievances, but how bitter she is!"

The pains and wounds in and out of the play have made Yu Xiulian [Crouching Tiger, Hidden Dragon] and Yang Ziqiong a leap in acting.

Many commentators believe that she bid farewell to the period of "beating women" and started her own "actress" era.

In addition to those big action movies in Chinese and Hollywood, she is also acting more and more "quiet" movies with richer levels.

Tears in 2022

Types of tears shed tears of joy.(or a little sad)

Don’t cry no matter how painful it is.

Yang Ziqiong understood this truth very early.

When she decided to practice martial arts with Hong Jiaban, she knew that,

"If you cry every time you get hurt, you’d better stay in that corner and cry all the time."

After all these years, you seldom see Yang Ziqiong shed tears unless you cry.

She seems to be always calm and carefree, always the wind of generals.

But in 2022, in an ordinary interview, she talked about the script of "Instant Universe" and suddenly burst into tears.

She said that two directors, Dan Guan and Daniel Scheinert, gave her the script, and she read it carefully.

She can’t remember how long she hasn’t read this script.

The role of Xiulian was written based on her, and the director decided that if it weren’t for her, the film wouldn’t have been made at all.

Xiulian has complicated feelings, trapped in traditional family life, but somewhere in her heart, she still hides a little self, hidden desire and rich levels.

She is a comedy character, with countless doppelgangers and unlimited space to display all kinds of acting skills.

"This is the script I have been waiting for for a long time, but I can finally show my fans and family how capable I am.

Can be interesting, can be sincere, can be sad. Finally, someone finally knows that I can do it. "

On the set, two directors are die-hard fans of her films. Stephanie Xu, who plays her daughter, grew up watching her films, and this role almost completely released her potential.

It’s like the last 50 years of life, the choices of going around, the scars that have been healed and added, all for today.

There must be other universes. In those universes, there are Yang Ziqiong, the chief actor of the ballet company, Yang Ziqiong, who spends his life with her husband and teaches children at home, and Yang Ziqiong, who chooses to retire quickly.

But only Yang Ziqiong in our universe, covered with scars, never gave up, and the blood that flowed will eventually be rewarded with tears of joy.

Interesting talk about "New Year’s Day": How to determine the dates of Spring Festival and New Year?

Beijing, January 1st (Reporter Shangguan Yun) Today is January 1st, and many countries call it New Year’s Day. It represents the beginning of a new year and is a cheerful festival in people’s minds.
Interestingly, in ancient China, "New Year’s Day" originally referred to the current Lunar New Year, and there were other names such as "Duanri" and "Yuanzheng". The determination of names and dates such as "Spring Festival", "New Year" and "New Year’s Day" has also gone through a long evolution process.
What is the meaning of the word "New Year’s Day" in ancient times?
Speaking of New Year’s Day, if interpreted literally, it can be understood as "the first day".
Data Map: On December 31, 2019, Chengdu Tianfu Square was decorated with various flowers to welcome the arrival of New Year’s Day in 2020. Zhang wave photo
The "yuan" of "New Year’s Day" means beginning and first, and the beginning of every number is called "yuan"; "Dan" is an pictograph, with the upper "Sun" representing the sun and the lower "One" representing the horizon. Together, it symbolizes that the sun rises from the horizon in Ran Ran and a new day begins.
Therefore, people combine the words "Yuan" and "Dan", which means the first day of the new year. It is said that New Year’s Day is also called "three yuan", that is, the yuan of the year, the yuan of the month and the yuan of the time.
One yuan initial, Vientiane update. In ancient times, New Year’s Day was highly valued. In the Jin Dynasty, there was a poet named Xin Lan who wrote a poem "Yuan Zheng": "Yuan Zheng opens the ceremony, and Jiaqing celebrates itself. Xian played for thousands of years, and Xiao Datong was happy. " It is the lively scene of New Year’s Day at that time.
When did the ancient "New Year’s Day" originate?
In fact, the "New Year’s Day" in ancient China is said to have originated in Zhuan Xu, one of the three emperors and five emperors, with a history of several thousand years. It is recorded in the Book of Jin: "Zhuan Di took the first month of Meng Xia as the yuan, which actually coincided with the Spring of New Year’s Day".
Although the meaning of "New Year’s Day" means the first day of the year has never changed, due to calendar reasons, the calculation method of the first day of the first month was not very unified before Emperor Wu of the Western Han Dynasty, and the months and days of New Year’s Day in previous dynasties were also inconsistent.
Data map. Photo by Meng Delong
For example, the Xia Dynasty in ancient times used the Xia calendar, which took Meng Xiyue (January) as the first month, but in Shang Dynasty, the Yin calendar used in Shang Dynasty took the twelfth month (December) as the first month, and the Zhou Dynasty’s weekly calendar took the winter month (November) as the first month.
After Qin Shihuang unified China, he decided to take Yangchunyue (October) as the first month, that is to say, the "New Year’s Day" at this time became "the first day of October".
It was not until the period of Emperor Wu of the Han Dynasty that the state of "changing and changing" basically ended: in the first year of Emperor Wu of the Han Dynasty, Deng Ping and others founded the "taichu calendar", redetermining Meng Xiyue (January) in the summer calendar as the first month, and calling the first day of Meng Xiyue (the first day of the first month in the summer calendar) New Year’s Day, which was used until the end of the Qing Dynasty.
The origin of the name "Spring Festival"
Time came to 1912, and in January of that year, Sun Yat-sen issued the Order of the Provisional President on Promulgating the Almanac, requiring the Ministry of Internal Affairs to compile a new almanac, and then stipulated that January 1st of the Gregorian calendar was "New Year’s Day", but it was not called "New Year’s Day".
As a result, there are two calendar systems in China: one is the official "solar calendar" as the time standard for public administration and international communication; One is the "lunar calendar" used in traditional society, which serves agricultural time and daily life.
Data Map: A desert bonfire party celebrating New Year’s Day was held in Yueyaquan Town, Dunhuang. Photo by Wang Binyin
In January 1914, the Ministry of Internal Affairs of the then government put forward in a submission to the President: "It is proposed to designate New Year’s Day in the lunar calendar as the Spring Festival, Dragon Boat Festival as the summer festival, Mid-Autumn Festival as the autumn festival, and Winter Solstice as the winter festival …" Later, only "New Year’s Day as the Spring Festival" was approved, so the traditional Chinese New Year was renamed as "Spring Festival" and the traditional name of "New Year’s Day" was put on January 1 of the Gregorian calendar.
However, Xiao Fang, a folklore expert, said that although the government at that time had been promoting the Gregorian calendar, it even forced people not to celebrate the old calendar and prohibit folk activities such as posting Spring Festival couplets, but the people did not buy it, and their daily lives continued according to the old calendar.
On September 27th, 1949, the first plenary session of the China People’s Political Consultative Conference passed the "People’s Republic of China (PRC) calendar adopts the AD calendar method", and the first day of the first lunar month is called the Spring Festival, and January 1st of the Gregorian calendar is designated as the New Year’s Day. At this point, "New Year’s Day" has become a festival celebrated by people, and the traditional annual festival has also received due attention.
What did you eat on New Year’s Day in ancient times?
"New Year’s Day in Four Seasons, Long Life in Early Spring" always brings people new expectations, and the ancient New Year’s Day court has a grand New Year’s greeting ceremony. In the Three Kingdoms period, Cao Zhi wrote a poem in Yuan Hui: "At first, Yuan You, in ancient times, was only good, and it was a good meeting, so I gave a banquet here."
Data Map: New Year’s Day activities were held in Kunming Jindian Scenic Area, the bell tower rang the bell for blessing in the New Year, and hundreds of children wrote Spring Festival couplets, camellia exhibitions and other activities to wish happiness and well-being in the new year. China News Service reporter Li Jinhong photo
There is a saying that similar activities such as celebrating ceremonies and praying for sacrifices in the past dynasties originated from the "wax sacrifice" in ancient society, which mainly sacrificed crops and harvested gods, such as the god of agriculture. In the era of low social productivity, people should thank the "gods" and ancestors for their protection at the beginning of the new year and pray for a good weather in the coming year.
At this time, the diet is also rich and colorful, which is clearly described in "Jingchu Age". For example, when New Year’s Day arrived, the worship of congratulations in Jingchu area was completed in the Southern Dynasties, followed by the introduction of pepper and cypress wine, peach soup, Tu Su wine, gum tooth jar and spiced dish. Apply it to powder, take the ghost pill, and eat an egg each …
Count carefully, including drinks, food and drugs, each with its own meaning. In ancient times, on New Year’s Day, people performed a set of customs step by step and were very busy.
Chen Xianzhang, a poet in the Ming Dynasty, mentioned in his New Year’s Day Trial Pen: "The neighboring wall whirls to entertain guests, and the children sing songs and enjoy the New Year’s poems." Like a "Happy New Year Picture", it depicts the scene of people celebrating the traditional New Year. (End)
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