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Original nuclear record nuclear record

Issue 204

Manuscript | NTU New Biography Future Editorial Department He Zhen Record Students

Gao Yaer Wang Jingyi Wu Sicun Jiang Huiling Yuan Jiaqi Wang Yuhe

Cartography | Wu Yuhang Ouyang Yuanfan Wang Yiqian

Editor | History Xiao Hong Zidong Zhang Ningxin Lin Xinyao

Typesetting | Wang Yuhe

foreword

"Would you like a cup of milk tea?"

Recently, with the improvement of the epidemic situation in Nanjing, various schools have relaxed the policy of closing schools one after another. Many students who have been "closed" for a long time can’t wait to get out of the campus and come to the food street outside the school. The first thing to do is to order a cup of milk tea to solve the "suffering of missing tea" for many days.

Milk tea has unconsciously become a part of the life of contemporary young people. Many friends responded that the elders at home were even more "superior" than themselves when they met milk tea. Milk tea can be described as "happy" for all ages.

However, in the past two years, a dark cloud named "non-dairy creamer" has entered the sight of tea lovers. Although everyone knows a little about it, it does not prevent it from being notorious, and it is often mentioned together with trans fatty acids, which makes people turn pale. So what exactly is non-dairy creamer? Is it harmful? Can milk tea containing non-dairy creamer be drunk? Which brands admit or deny the use of non-dairy creamer? Which tea shops are vague in wording and afraid to avoid the word "non-dairy creamer"?

The nuclear record has collected some relevant information, and I hope this healthy communication article about "non-dairy creamer" can bring you the answer.

What is "non-creamer"?

Creamer, also known as "creamer powder", is a powdered or granular product made from sugar (including sugar and starch sugar) and/or syrup, edible oil, etc. with or without milk, dairy products and other food raw materials and food additives. It is often used to pour it on coffee, black tea or jelly, tea jelly and tortoise jelly. ①

The history of non-dairy creamer can be traced back to 1958. Carnarson Company developed a water-soluble product with a taste similar to dairy products by using edible vegetable oil and other raw materials, and put it on the market under the label of "coffee-mate" in 1961. Once put into use, the product was widely welcomed by the market. Subsequently, other companies have gradually developed and produced similar products, and constantly explored the downstream application fields of non-dairy products.

coffee mate

In the 1980s, non-dairy creamer entered the domestic consumer market. The development of China’s non-dairy creamer market has mainly gone through the stages of import consumption, independent production and R&D innovation. With the further improvement of the competitiveness of domestic non-dairy creamer products, the products of domestic non-dairy creamer manufacturers with high quality have been exported to all parts of the world, and China has become one of the important producing areas of non-dairy creamer products in the world.

The prevalence of non-dairy creamer in food industry is not without reason. This food additive has good solubility, emulsification and dispersion properties, and has no repulsive effect on other raw materials; At the same time, the non-dairy creamer is not easy to be damaged by oxidation, and it does not need refrigeration, which ensures its long shelf life. More importantly, on the premise of low price, convenient use and low storage conditions, non-dairy creamer can effectively increase food flavor and make food taste smoother. For all these reasons, merchants have been very fond of this food additive all the year round.

However, in recent years, with consumers’ attention to food safety and the improvement of food health requirements, "non-dairy creamer" has entered the public’s field of vision, and has been labeled as "harmful", and even become a food additive.

Why is non-dairy creamer so unpopular? Can its harm to human body be reduced or avoided?

There is no need to "talk about the color change of non-dairy creamer"

Fat is the most important ingredient in the formula of non-dairy creamer, which provides a unique texture and viscosity for non-dairy creamer and gives the product a mellow taste. The fat in non-dairy products is provided by hydrogenated vegetable oil.

The harm of non-dairy creamer is discussed by everyone, and the key lies in this part of hydrogenated vegetable oil. Incomplete hydrogenation of hydrogenated vegetable oil will produce "trans fatty acids", which are harmful to human body.

On October 12th, 2011, China’s health authorities issued the national standard GB28050-2011 "General Rules for Nutrition Labeling in prepackaged foods", in which clause 4.4 of "4 Mandatory Labeling Contents" stipulates that "when food ingredients contain or use hydrogenated and/or partially hydrogenated oils in the production process, the content of trans fats (acids) should also be marked in the nutrition composition table". In addition, D.4.2 stipulates that "the intake of trans fatty acids should not exceed 2.2 grams per day, and excessive intake is harmful to health. The intake of trans fatty acids should be less than 1% of the total daily energy, which is harmful to health. Excessive intake of trans fatty acids can increase blood cholesterol, thereby increasing the risk of cardiovascular diseases. "

Screenshot of General Principles of Nutrition Labeling in prepackaged foods (GB28050-2011) by official website, Institute of Nutrition and Health, China Center for Disease Control and Prevention.

According to the Report on the Intake Level and Risk Assessment of Trans Fatty Acids of Chinese Residents issued by the National Food Safety Risk Assessment Center in March 2013, the energy provided by trans fatty acids through dietary intake in Chinese accounts for only 0.16% of the total dietary energy, far below the limit of 1% recommended by WHO.

However, with the development of hydrogenation technology, it is now possible to produce "completely hydrogenated vegetable oil" without trans fatty acids, that is, "zero trans fatty acids" non-dairy creamer. At present, the content of trans fatty acids in most brands of coffee partners on the market is almost zero. Although the product ingredients on the packaging contain non-dairy creamer, they will be specially labeled as "zero trans fatty acids". ④

"Zero" here means that the trans fatty acid content is lower than the standard threshold. The current standard of the Ministry of Health is that it can be labeled as "zero trans fatty acid" when it is lower than 0.3g/100g, and a cup of milk tea contains about 20~30g of non-dairy creamer. Therefore, if you can use the non-dairy creamer containing "zero trans fatty acids", the harm caused by the non-dairy creamer in a cup of milk tea is almost negligible.

Therefore, "containing or not containing non-dairy creamer" is not a direct criterion to measure the safety of a certain food. The quality of hydrogenated vegetable oil used by various manufacturers in the process of producing non-dairy creamer, that is, the content of trans fatty acids in non-dairy creamer, may be the focus we need to pay attention to. The most direct way to reduce the harm of non-dairy creamer to human body is to reduce the content of trans fatty acids. For consumers, if they want to reduce the harm caused by non-dairy creamer in some products, they should try to identify whether the trans fatty acid content in them meets their expectations.

According to the list of the top ten brands of non-dairy creamer listed by maigoo Brand Ranking Network, Hezhen Record searched the enterprise standards of these brands for producing non-dairy creamer in official website and official website in turn, trying to list the content of trans fatty acids and find out the food brands that cooperated with these companies. However, in the search, except for Dongguan Nestle Co., Ltd. and Jiahe Food Industry Co., Ltd., we can hardly find the enterprise standards of other brands (enterprise standards are more stringent than industry standards and national standards, and if enterprise standards are not formulated, production should meet the basic industry standards or national standards); At the same time, the cooperation between many brands is not open to the public. Therefore, the nuclear record has sorted out some effective information currently available to the top five non-dairy brands in the list, hoping to bring some reference to readers.

Tea merchants who admit/deny using non-dairy creamer.

Although non-dairy creamer is not equal to trans fatty acids, and adding non-dairy creamer to milk tea is not equal to endangering health, the public has always been wary of non-dairy creamer. In such a public opinion environment, do you want to use non-dairy creamer? What kind of non-dairy creamer do you use? Admit or deny? This is indeed a big publicity problem for tea merchants. Hezhenlu collected the contents related to non-dairy creamer in the publicity information of 16 well-known milk tea merchants for readers’ reference.

Note: The official propaganda information and netizens’ speeches collected in the above pictures do not represent Ben WeChat official account’s views and attitudes.

After popular science, have you understood in front of the screen that non-dairy creamer is not equal to trans fatty acids, and it is not as terrible as it looks? As long as "good oil" is used and "low acid" or even "zero acid" is added in the production process, it is a food additive that can improve the taste of products and reduce the unit price of products. Therefore, it is important to pay more attention to the content of trans fatty acids in the nutrient composition table when buying food. In addition, the use of food manufacturers, including non-dairy creamers, which are likely to cause people’s health concerns, should also clearly indicate the contents of non-dairy creamers and trans fats in their product composition tables.

More transparent information and a more responsible attitude can bring people more secure choices.

reference data

①《QBT 4791-2015 Non-dairy creamer industry standard

② Institute of Nutrition and Health, China Center for Disease Control and Prevention, official website: National Standard "General Rules for Nutrition Labeling of National Food Safety Standard prepackaged foods" GB28050-2011.

https://www.chinanutri.cn/gzrw_132/gjspyybqjkjyxd/201412/t20141229_108497.html

③ National Food Safety Risk Assessment Center. China residents’ dietary intake level of trans fatty acids and summary of its risk assessment report [J]. Food Safety Guide, 2013(8):3.

④ Wang Biao. Preparation of zero trans fatty acid non-dairy creamer [D]. Jiangnan University, 2014.

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The content of this article was first published in the Record of Nuclear Truth.

Please contact Ben WeChat official account for reprinting.

Original title: "Health | Milk tea contains non-dairy creamer, can you drink it?" 》

Read the original text

　　Recently, a movie, a person and a thing have set off the film circle. That is the event that producer Fang Li knelt down on the webcast platform for the film "A Hundred Birds at the Phoenix".

　　Who is Fang Li? Many outsiders may not know him very well. Although Fang Li is a senior filmmaker with a good reputation in the film industry at present, he is actually a "monk halfway".

　　Fang Li graduated from East China Institute of Geology (now east china institute of technology) with a major in applied geophysics in 1982, and obtained an MBA from WakeForest University in 1989. In 1991, Laurie Industrial Company was founded, which is currently the top geophysical instrument company in the world and has achieved great commercial success in the fields of earth science and marine science and technology.

　　It is such a "sophisticated" person with high intelligence similar to Andy, the heroine of Ode to Joy, who resolutely devoted herself to the film industry in 2000 and founded Laurie Film Company. Fang Li made movies out of his true love for movies, rather than simply holding the mentality of making money by investing. Most of the films he has invested in are literary films, such as Wang Chao’s Anyang Baby and Lou Ye’s Summer Palace. Recently, he has invested most in Li Yu’s films, Guanyin Mountain, Second Exposure and Growth of Everything. The one who makes the most money should be Han Han’s "See you later".

　　Recently, Fang Li’s busy movie is "A Hundred Birds at the Phoenix". A Hundred Birds at the Phoenix is the posthumous work of the famous director Wu Tianming. Wu Tianming is a representative of the fourth generation directors in China. Many people may have seen his Old Well and FACE/OFF when they were "children". Although he has not made many films, almost every one of them has won domestic or foreign awards. He is a director who makes movies with his heart and loves movies with his life. Wu Tianming was 73 years old when filming "A Hundred Birds in the Phoenix". At this age, most people should stay at home and support their grandchildren. Wu Tianming still insists on being in the first line of filming.

　　The content of the film also tells the persistence of an old artist. Similar to Wu Tianming’s old work FACE/OFF, A Hundred Birds at the Phoenix is also a story of the demise of traditional art. In Wushuang Town, the folk art of suona, which has been passed down for a long time, is not only for entertainment, but also a kind of life evaluation for those who died in a long journey when holding a funeral. Only at the funeral of a respected person can you play "A Hundred Birds at the Phoenix". And "A Hundred Birds in the Phoenix" is a difficult piece, and only the top suona master can be competent. In the whole town of Wushuang, only Jiao Sanye, the leader of Jiaojiaban, who is famous in all directions, can play "A Hundred Birds at the Phoenix". The old-school suona craftsman held his breath, smothered one mouthful blood, and would rather die in the plush chair where the performance would be held.

　　The People’s Daily commented that a hundred birds pay homage to the phoenix: It is a realistic film development path with China characteristics, China style and China style, which is in line with Life, Old Well, FACE/OFF and CEO and keeps pace with the times. This is precisely under the realistic background that the eastern and western cultures are coming from all sides. In the face of all kinds of historical nihilism thoughts and the "Westernization" of the East, it still retains valuable cultural consciousness and cultural determination. It is the result of China’s characteristic film creation.

　　However, after the release of "Hundred Birds in the Phoenix", the proportion of films has been only about 1-2%. Most of the performances are in the early morning and late night, and many viewers said they wanted to see a movie, but they couldn’t buy tickets. For a literary film released at the same time as Captain America: Civil War, this result is regrettable, but not unexpected.

　　Producer Fang Li couldn’t sit still. May 12th is the eighth anniversary of the Wenchuan earthquake, which is also a day of "phoenix nirvana" for the film "Birds at the Phoenix". On the same day, the film was released for a week, only earning 3.64 million at the box office, and the number of films was as low as 1.2%. Even though there were many big-name film platforms to help out, it didn’t help, and it was about to be shown. On the evening of the same day, Fang Li, the producer of "A Hundred Birds at the Phoenix", knelt down and kowtowed on the webcast platform, which shocked the industry and the outside world. When Fang Li knelt down, he said, "If you can arrange a golden field for us this weekend, Laos will immediately kowtow to you and kneel down to you … For the wishes of director Wu Tianming and for the audience, I am willing to beg you."

　　This incident triggered the crazy brushing of social media and quickly evolved into a social topic. On the 13th, "Hundred Birds in the Phoenix" broke through one million in a single day and began to counterattack. On May 15th, the screening ratio of "Hundred Birds Facing the Phoenix" rose to 7.4%, ranking first. As of May 16th, the total box office of the film reached 25.98 million.

　　Some people praised Fang Li for disregarding his own dignity for his feelings and loyalty, while others thought that this was a moral kidnapping, which ran counter to Wu Tianming’s own spirit and his theme of "suona is for himself" in "A hundred birds fly at the phoenix". Some people even think that this is a marketing tool.

　　But even if it is a marketing tool, what’s the harm? The literary films invested by Fang Li, especially those directed by Li Yu in the past two years, have all done well at the box office. This has a lot to do with the team’s market awareness and marketing plan. Moreover, compared with the "hidden rules" such as buying box office and dividing points with cinemas, such marketing methods may be more tragic and aboveboard. To tell the truth, I don’t like to watch "high and low" literary films, but it is precisely because of the lack of audience base that China film market needs filmmakers like Fang Li who love movies and know how to promote different kinds of movies.

　　After all, a mature film market can’t only have the living space of commercial films. After all, movies are not only commercial, but also an artistic expression. For the general audience, it is also a good choice to eat more big fish and meat and occasionally taste some porridge dishes.

Special feature of 1905 film network The animated film (hereinafter referred to as "Halloween Bride") was released, and it became the box office champion that week with over 80 million box office.

Undoubtedly, the first issue of Detective Conan has always been the "hot cake" of Japanese theater animated films in China market.

The last two works — — "Detective Conan: Boxing of the Blue" (2019) and "Detective Conan: Crimson Bullet" (2021) have exceeded 200 million at the box office, successfully surpassing another national animation IP— — The achievements of the theatrical animation of Doraemon series.

In Japan, the box office results of Detective Conan series are also rising all the way, and the new work "Halloween Bride" has set the highest box office in this series with a score of over 9.6 billion yen. In addition, the word-of-mouth of the film scored 4.2/5 on the Japanese rating website, making it the best word-of-mouth in this series in recent years.

In the theater design, Matsuda Jinpei appeared as the main character, and his "five-member police academy" offered a wave of "memory killings". As the 25th theatrical film in Detective Conan series, it can be described as "Ye Qing Hui" for many fans.

Obviously, the director of this theatrical version handed over a good report card, and many fans shouted, hoping that the director could continue to direct subsequent theatrical works. Compared with the comments made by directors in the past few theatrical editions in the audience’s mind, Susumu Mitsunaka is definitely "winning".

01. Law of creation

As the 25th theatrical animation of Detective Conan, The Bride of Halloween is of great significance.

Especially this time, the guide tube was handed over to Susumu Mitsunaka, who is not experienced. For a long time in the past, Detective Conan kept the unwritten rule of "seven-year itch" — — Every seven theatrical editions, a director is changed.

Only after silent director Kong Wen finished his creation did this rule change. First, he directed the Executor of Zero, and then he created the fist of the blue and the crimson bullet, and then came to the latest one.

The creative team of the theatrical version of Detective Conan is always composed of the original author and the director. Looking back at the history of creation, the most famous directors are, and three directors.

Original authorgreen hillsGangchang

From 2011 to 2017, Kong Wen, the director in charge of creation, was regarded as an "absolute villain" by many Conan fans, and even thought that his period was Conan’s "collapse period".

After all, for the creation of the theatrical version of Detective Conan, two directors, Kenji Kodama and Yamamoto Yasuichiro, are also directors of the early TV version, and they have their own systems for the development of the whole story.

02. Early generation creation

Kenji Kodama’s creation is regarded by many people as the achievement of the theatrical version of Detective Conan, but it is undeniable that before the creation company planned to launch the film version, the original G?sh? Aoyama had planned to let the serial of this story end.

But when he knew that he could put this IP on the big screen, he took the task with great joy and launched the first theatrical version of "Detonating Skyscrapers".

Director Kenji Kodama, like G?sh? Aoyama, is a writer who loves the case reasoning very much, so the stories are all based on the case reasoning of partial realism, combined with the setting of the emotional lines of the characters.

Once the theatrical version of Detective Conan was released, it was favored by fans at that time. The seven animated films directed by him have scored more than 8 points at home, including the most classic "The Dead of Baker Street".

When the guide tube reached Yamamoto Yasuichiro’s hand, there was not much breakthrough in quality, but the control of the Benguer reasoning and the emotional relationship of characters was still on-line.

Many people think that Yao Ming was born from the TV version of animation, and the reason why the two directors are quite different is that on the one hand, Kenji Kodama happened to be at the peak of G?sh? Aoyama’s creation; On the other hand, he was not influenced too much by the creation of TV series.

Yamamoto Yasuichiro’s biggest problem is that he is interfered too much by drama creation, and even many scenes are based on the content of the drama, which is relatively simple as a whole.

However, during this period, Kidd’s scenes obviously increased gradually, and his love and hate with Conan began to be discussed repeatedly as a topic. And Kidd’s famous scenes of several gorgeous rescues all appeared in the Yamamoto Yasuichiro era.

For the audience in China, the 13th work of the series, The Dark Tracker, has become the first theatrical version of Detective Conan introduced to the mainland market in China.

Although the quality of the two directors has changed greatly, it is undeniable that the box office of the whole series of theatrical versions has steadily increased from 1.1 billion yen and maintained at around 3 billion yen. For fans, Yamamoto Yasuichiro can only be regarded as a great achievement, what’s more, he was succeeded by silent Confucius, who subverted the whole series.

03. Business model

If the first two directors are the initiators accompanying the growth of this IP, then Silent Confucius is more like a foreign reformer.

After all, in his previous resume, there is no lack of overseas film and game production experience. And he also applied these experiences to the creation of the theatrical version very well, making the performance in the scene more ornamental. But what followed was that the reasoning details of Detective Conan itself gradually weakened.

Silent director kong Wen

Especially in his first theatrical version of "Fifteen Minutes of Silence", Conan made all kinds of anti-physical actions, so he was also denounced by fans as "Ke Xue".

If Kōbun Shizuno has continued the creation of the first two directors, it is an explosion play. He even stepped up his creation. In the past, most of the big scenes that only existed in the climax paragraphs were blown up when he came here. Even Conan’s skateboard and shoes showed functions beyond scientific limits and properly became "sci-fi action movies".

These problems are best reflected in the 19th theatrical edition of Sunflowers for Fire. But even though it is criticized by most conan fan, it is undeniable that Kōbun Shizuno’s model has successfully opened the commercial road of the theatrical version of Detective Conan. During this period, the box office of the series of films has increased from 3 billion yen to nearly 7 billion yen.

In the face of fans’ doubts, he also came out to explain that this style of work is not just his idea, but the fact is that it is the result of combining the author’s requirements, technical special effects, audience surveys and other factors. For him, and even the whole Detective Conan, the former audience has gradually grown up. "We just want to attract more new audiences."

Looking through all kinds of interviews by the author G?sh? Aoyama, as early as 2000, he once said, "The charm of cartoons is the pleasure of action, and sure enough, movies still need these! Especially the fierce big scene. " Even in everyone’s eyes, Kenji Kodama, who is given priority to with this case reasoning, once emphasized the importance of action scenes.

With Kōbun Shizuno’s withdrawal, new directors appear constantly, but compared with the previous three directors, the producers obviously saw the reasons for the box office of Detective Conan series, and it is difficult to give them another chance to play. Even though "The Bride of Halloween" received excellent market feedback, it is not difficult to find that the setting of "Ke Xue" is still not absent.

04. The next wave of creation

The reason why the box office performance of Detective Conan is bigger than that of Doraemon series is that, to a great extent, the former insists on originality, while the latter is remaking the past plot.

But now that Detective Conan series has found its own creative mode, how to break this creative bottleneck has become a difficulty for G?sh? Aoyama and even the whole creator behind it.

But the careful audience can find that Conan is no longer the protagonist of the work, but more like a clue to connect the whole story. In The Bride of Halloween, the feelings of the "five-member police academy" broke through even more. For this reason, during its release, Japan also replayed The Executor of Zero, echoing An Shi Tong in the five-member, namely Furuya Rei.

Undeniably, The Executor of Zero achieved good box office results at that time, largely due to the box office economy driven by role fans. Yuzuru Tachikawa, the director of this film, once said in an interview that with the influx of more and more new fans, Detective Conan is no longer just Conan itself. "One of the reasons is that the characters with various personalities and the relationship between the characters make the story more intriguing."

Because of this, the selling point of "Crimson Bullet" is the Blanche family, and at the same time, it adds Haibara Ai’s scenes. To a great extent, this has caused a quarrel between the "New Zealand Party" and the "Ke Ai Party". However, in the pilot preview of the official theatrical version of Detective Conan in 2023, Haibara Ai will have a heavy performance. At that time, CP will take the side, which may make this work rich.

The director of this latest work has not been announced yet, but from The Bride of Halloween, we can see some subtle changes made by Susumu Mitsunaka in the creative mode of Silent Confucius, which may also make the audience look forward to this series and new creative styles will appear in the future.

　　Author: Shi Zhile (researcher of Socialism with Chinese characteristics Thought Research Center of Beijing Supreme Leader New Era, lecturer of Marxism College of China Agricultural University)

　　A strong country must first strengthen agriculture, and a strong agriculture can strengthen the country. For the first time, the Party’s Report to the 20th CPC National Congress clearly put forward "accelerating the construction of an agricultural power". At the recent Central Rural Work Conference, General Secretary of the Supreme Leader emphasized that "to build an agricultural power, we should embody the characteristics of China, base ourselves on China’s national conditions, base ourselves on the resource endowment with a large population and a small amount of land, the historical background of farming civilization, and the requirements of the times of harmonious coexistence between man and nature, and go our own way instead of simply copying the model of foreign modern agricultural power", which further pointed out the direction for building an agricultural power with China characteristics.

　　Since the 18th National Congress of the Communist Party of China, the CPC Central Committee with the Supreme Leader as the core has insisted on giving priority to the development of agriculture and rural areas, made ensuring the effective supply of important agricultural products such as grain as the primary task of agricultural modernization, continuously consolidated and improved the comprehensive agricultural production capacity, and the level of agricultural modernization in China has been steadily improved. In 2022, China’s grain production achieved "19 consecutive bumper harvests", and the grain output was stable at more than 1.3 trillion Jin for eight consecutive years, achieving basic self-sufficiency in grain and absolute safety in rations, providing a solid support for stabilizing the economic market.

　　However, we should also see that there are still many deep-seated contradictions and problems in China’s agricultural development, which are mainly manifested in the unstable agricultural foundation, weak ability to resist natural risks and market risks, small scale of agricultural operation, low agricultural labor productivity, urgent need to improve quality, efficiency and competitiveness, tight constraints on agricultural resources and environment, and tight balance of grain supply. To solve these contradictions and problems, we need to promote China’s leap from an agricultural power to an agricultural power. To build an agricultural power, we need to learn from the development experience and universal laws of international agricultural power, and we should base ourselves on China’s national conditions, take the road of an agricultural power with China characteristics, and promote the construction of an agricultural power with Chinese modernization.

　　To build an agricultural power, we should base ourselves on China’s resource endowment with a large population and a small land, and build an agricultural power model with multiple systems, high yield and high efficiency according to local conditions. China is a big agricultural country. The resource endowment conditions of vast territory and abundant resources and small population determine that China’s agricultural development model can neither blindly copy the large-scale model of agricultural powers such as the United States, Canada and Australia, nor simply apply the refined model of agricultural powers such as Israel, Japan and the Netherlands. China is rich in resources and diverse in endowments. In the process of building an agricultural power, it is necessary to combine the advantages of resource endowments in various places with local conditions and take a diversified and differentiated development path. For example, some areas are suitable for large-scale production, which can focus on improving labor productivity; Some areas are suitable for small-scale agriculture, which can focus on improving land productivity; Some areas are suitable for characteristic agricultural production and management, and can focus on improving the efficiency of capital and technology production. At the same time, on the premise of ensuring the total food security, it is necessary to establish a big food concept, build a diversified food supply system that integrates grain, economy, feeding, agriculture, animal husbandry and fishery, and plants and animals simultaneously, so as to achieve a balance between supply and demand of various foods and meet the growing needs of the people for a better life.

　　To build an agricultural power, we should base ourselves on the historical background of China’s farming civilization, mold and cast souls, and build an agricultural power model that highlights the ideological wisdom and spiritual pursuit of the Chinese nation. From agricultural solar terms to agricultural landscape, from rural customs to ecological ethics, the long-standing and profound agricultural civilization, as an important part of China’s excellent traditional culture, provides rich cultural fertile soil and ideological resources for the construction of an agricultural power, and is a valuable asset of China’s agriculture. We should be good at drawing wisdom and strength from the long-standing farming civilization, combining protection, inheritance and development and utilization, and deeply excavating the ideological concepts, humanistic spirit and moral norms contained in excellent traditional farming culture; Combine the outstanding heritage of farming civilization with the elements of modern civilization to promote the creative transformation and innovative development of traditional farming culture; Combine the promotion of excellent farming culture with the promotion of rural revitalization, promote the coordinated development of rural material civilization and spiritual civilization, and make farming civilization glow with new opportunities in the continuous inheritance.

　　To build an agricultural power, we should base ourselves on the requirements of the times of harmonious coexistence between man and nature, and build a green and sustainable agricultural power model scientifically and reasonably. Report to the 20th CPC National Congress of the Communist Party of China pointed out that Chinese-style modernization is the modernization in which man and nature coexist harmoniously. This is a transcendence of the modern development road of the west, which is centered on capital, materialistic expansion, pollution first and then governance. Agriculture is an ecological industry, and the countryside is an important part of the ecosystem. To build an agricultural power, we must firmly establish and practice Lucid waters and lush mountains are invaluable assets’s concept and constantly polish the ecological background of agricultural development. We should follow the law of distribution and succession of ecosystems and the law of agricultural production, adhere to the principle that forests are suitable for forests, grazing is suitable for grazing, fishing is suitable for fishing, and grain is suitable for grain, adhere to the integrated protection and systematic management of mountains, rivers, forests, fields, lakes, grass and sand, and strengthen the protection of rural ecological environment in an all-round, all-regional and whole-process manner. We should adhere to the concept of green development, properly handle the relationship between agricultural production and ecological environment protection, deepen the reform of compensation system for ecological protection, improve the market mechanism of high quality and good price of agricultural products, strengthen and complete the rural ecological industry chain, turn ecological dividends into industrial benefits and farmers’ income, and take the road of agricultural power with developed production, affluent life and good ecology.

　　Agriculture is a basic industry related to the national economy and people’s livelihood, and a strategic industry that is safe for the world and stable for the people. To build an agricultural power with China characteristics, we must take root in the land of China, conform to the reality of China, always put agricultural development on the basis of our own strength, solve our own problems with our own agricultural superior resources, firmly control food security in our own hands, and embark on a road to an agricultural power that reflects China’s national conditions, embodies China’s characteristics and highlights China’s wisdom.