1905 movie network news On October 31st, the movie released a set of posters for "governing desire", which tied the injured Hu Ge and Gui Lunmei together with two props, a hat strap and a bandage. The desire for life and the desire for love were repeatedly torn and entangled. Redemption and redemption were staged between the two, happening on the edge of the city. The poster also exposed the good figure of Hu Ge’s special training. Gui Lunmei continued to have short hair, and the two seemed to be in a different state but had a wonderful connection. The unique design creativity of the poster also aroused praise from netizens: "It is pleasing to the eye, and there is no sense of violation." The movie has been previously scheduled to be released nationwide on December 6.
"The Wild Goose Lake" released a poster to expose Hu Ge’s good figure
Illuminate each other with Guilun Magnesium "full of color"
Directed by Diao Yinan, and starring Hu Ge and Gui Lunmei, with Liao Fan and Wan Qian starring in the movie "The Wild Goose Lake" starring Qidao, a set of posters for "governing desire" was recently exposed. The hat strap and bandage were cleverly processed into one, and the injured Hu Ge and Gui Lunmei were also "bound" together, like a "community of destiny". In the fetters of the desire for life and the desire for love, redemption and being redeemed form one and two sides of this set of posters for "governing desire". As Hu Ge said: "Two people illuminate each other and make each other achieve each other." Gui Lunmei also said: "Zhou Zenong was like an interloper in Liu Aiai’s life. The two went from acquaintance to suspicion to pity, and finally found out that they were fellow travelers."
The poster also exposed Hu Ge’s topless appearance due to injuries in the film, and his lean figure was very eye-catching, which triggered a heated discussion among netizens: "Bandages full of color, these chest muscles and abdominal muscles are simply not enough to see!" It is understood that in order to get close to the character in appearance, Hu Ge made a lot of preparations for the film: not only from the language and posture of self-adjustment, but also regularly go to the beauty shop to deepen the skin tone, carry out long-term physical training to appear more "able to fight", and reduce diet before filming this injury scene to achieve a state of haggard and exhaustion. In his opinion, these are just "the most basic work" as an actor.
Hu Ge’s "Dancing in the Dark" Interprets the Desire for Survival
"The body belongs to the character"
Gui Lunmei, who is also an actor, also "complained" in an interview because she has always appeared in short hair: "The hairstyle always serves all kinds of characters, it seems that the director likes my short hair." But even if she lost the opportunity to grow long hair, Gui Lunmei was still willing: "My body, it seems that it has never been mine, it seems that it has always been the role. I will never be reluctant." What touched Hu Ge the most during the shooting of the escape injury scene was not the external shaping such as fat loss training, but the internal requirement of "dancing in the dark" put forward by director Diao Yinan. From being difficult to understand at the beginning, to finally understanding the director’s inner desire, Hu Ge was also moved in the process: "During the process of bandaging himself, Zhou Zenong’s body took on a strange posture, which seemed to be dancing, but it was actually a desire to survive."
As director Diao Yinan puts it: "The male protagonist is always in a huge dilemma, and this dilemma is also my personal dilemma, or the dilemma of all of us." Only when the audience captures the emotional projection of their own hearts from the film can the film bloom into the multi-color of thousands of people and thousands of faces. The film will be released on December 6 for Chinese New Year.