The old Mo of "Hurricane" has changed to delivery! How do actors experience life?


1905 movie network feature "Old Mo" doesn’t sell fish, but runs errands instead?


Recently, Feng Bing, the actor of "Lao Mo", was recognized by passers-by in Shanghai as a rider. Wearing a helmet and riding a battery car, he shuttled through the streets and alleys, rushing to deliver orders in a hurry, almost like a real rider. Faced with the questions of passers-by, Feng Bing responded calmly that he happened to be filming in Shanghai, and became a rider to experience life.


The film is based on the true stories of hundreds of delivery workers. Feng Bing’s brief foray into the world of horsemen was presumably in preparation for shaping his character.



In fact, whether it is a delivery person, a doctor, a teacher, a pilot, or a group of people, whether it is performing a specific group of people or a social celebrity, experiencing life is not only a manifestation of an actor’s professional quality, but also the root of artistic creation. A good performance requires not only solid skills, but also deep life accumulation and emotional experience.


Feng Bing is just a microcosm of thousands of actors. It is precisely because of the immersion and preparation of life that actors have the opportunity to create a true and touching artistic image, stunning countless audiences, and contributing to the birth of masterpieces.



Experience life and become a character


Under the spotlight, it shines brightly. Actors can "travel" through time tunnels, delve into various characters, look back on past dynasties, and experience the various states of life; at the same time, it is also a very challenging profession, which requires rich imagination and deep understanding to materialize the characters of the script.


It takes a lot of hard work to go deep into life, draw inspiration, and then integrate into the character.


During the filming, Jiao Yulu visited all the places where Secretary Jiao used to live, not only did heavy agricultural work, but also listened to dozens of party classes, and experienced everything according to the secretary’s appearance. Guo Xiaodong said, "Everything I do is to live up to the three words’Jiao Yulu ‘."



"Mei Lanfang" prompts the willingness to follow and appreciate the essence of Peking Opera; in order to get close to the image of Wang Jicai, he came to the island in advance to be exposed to the sun, causing several burns, redness and swelling on his skin…


By experiencing the life of the archetypal character and even imitating the habits of the archetypal character, actors can gain a deeper understanding of their inner world and emotional changes, and can more accurately present the character’s state when performing.



Taking a step back, even if you can’t find the exact same prototype as the character, experiencing life can allow actors to find common ground in different characters and become a breakthrough point for shaping characters.


In the role of a deaf-mute person, he went to a deaf-mute family to learn sign language and observe; before joining the group, he underwent three months of military training; in order to play a purser, he took the initiative to go to the airline for professional training…



No matter whether it is performing a specific group or a social celebrity, experiencing life is the embodiment of an actor’s professional quality and the root of artistic creation. Infiltrating the every bit of the script description and finding the state of natural life in a specific environment is the first step for an actor to deliver an excellent performance.


Feel life, moisturize things silently


Study art and self-cultivation first. In addition to feeling the life of a specific character or a specific group for a certain character, actors can self-increase, broaden their knowledge horizons, and enhance their cultural literacy, which can also provide inspiration and support for artistic creation. On actors’ self-cultivation, they can quietly integrate into various character portrayals with the moisturizing things they observe in daily life, which is also a deeper level of performance.


"The so-called experiencing life, don’t think too complicated, as long as you are full of questions about everything you see, and then answer your questions, it is the best observation. The harvest of observation may be unknown for the time being, but it is very important." When talking about the performance, he said.



Zhang Songwen is undoubtedly an observant actor. In his spare time, he grows flowers and grass at home and walks around the surrounding markets. He is familiar with the vendors and occasionally helps to hawk. He is close to the neighbors and likes to sit and watch the chess game. The bustling crowds on the streets are his objects of observation, and so are the busy workers in the store.


Zhang Songwen once paid attention to the daily life of a fried chicken shop employee, from preparing ingredients to frying chicken to smiling at customers. The casual observation left a deep impression on Zhang Songwen’s state. When he encountered a similar character in a work, he said that his performance unconsciously "restored" the employee.



Zhu Yilong once confessed in an interview that when he played the down-to-earth funeral practitioner "Mo Sanmei", the usual life materials often appeared in his mind, which helped him a lot. Experiencing life has become an important part of his acting method. "Find the common parts of the characters in different characters, and then bring them together, so that the specific appearance of the characters in the mind is full, so that the heart is full, and a person cannot be shaped by imagination alone."



"If you should take the subway, you should take the subway, and if you should take the bus, you should take the bus. If you should see the variety of life, you have to look at the variety of life. Without these things, you will never be able to play the role you want to play."


From the perspective of artists, they should not treat themselves as artists, but as ordinary people, observing what happens in life, in order to absorb performance nutrients.



Signature vlog "Riding This Way", video-based life diary… The public can often see artists posting their photos on social platforms. While they are immersed in the joy of life, they are also reminding themselves to accumulate experiences in their experiences. Performance requires creativity. Life is an inexhaustible source of creativity.


In recent years, the movie channel has continuously launched the "Star Ocean Young Actors Selection Program", which aims to tap into the potential and organize them to take root at the grassroots level, enrich their life experience, and complete their creative collection. The original intention is also to encourage actors to return to their original hearts and feed back their performances.


Actors are not only performers, but also observers. By experiencing life in a variety of ways and enriching their experience with practical actions, they can help their performances become more infectious and convincing, and bring more touching works with true warmth to the audience.


The academy took shape for the first time, and "Our Beautiful Life" ushered in a new trial experience official Yu Wenwen

Information Times (reporter, Cai Mujia) The reality show "Our Beautiful Life" jointly produced by Hunan Satellite TV and Mango TV is on the air. This week, the B & B will welcome a new trial stay experience officer, Yu Wenwen. It just so happens that the Gengduan Academy has taken shape, and all the staff have raised their dreams after visiting.

Yu Wenwen and Xie Na. Photo courtesy of the program

Yu Wenwen, the new trial stay experience officer, came to visit and was warmly welcomed by the beautiful partners. It was essential for the new guests to visit her to introduce her to the bed and breakfast and the countryside. Just as the construction of the Gengduan Academy had taken shape, the beautiful partners led Yu Wenwen to visit and put forward some suggestions for transformation. Cai Shaofen hoped to build a game area with a slide, so that children could be active after reading. Xie Na was super active and immediately called the designer Chen Gu to communicate. She suggested that the library could be divided into areas, such as reading area, painting area, and handicraft area. Yu Wenwen also needed a music corner. Everyone’s plan was quickly recognized by Chen Gu. What will the Gengduan Academy eventually look like? Will everyone’s imagination come true? Let people look forward to it.

Ruan Jingtian joins hands with Zhao Youting to shoot MV fights, acting skills are bigger than body and play ambiguous


Ethan Ruan


Zhao Youting


Two people shoot MV together

  Ruan Jingtian and Zhao Youting, the two male protagonists of the movie "Mengka", filmed the MV together for the theme song "Let Down" on February 3. The two who played in the movie, in addition to continuing to fight for acting skills and figure, also "flirted" when shooting the MV, played ambiguous and successfully attracted attention.

  In order to shoot the plot of the movie in the MV, Ruan Jingtian and Zhao Youting had to perform scenes such as wailing and tears, which was very hard. And Ruan Jingtian wanted to shoot the scene of being chased by the underworld, but the actual shooting method was that he was "fake running" on the treadmill, but he felt that something was wrong no matter how he ran, so he asked Zhao Youting for help. Zhao Youting said, "Look, what would you do if you had me?" Ruan Jingtian was curious about who the heroine of the MV was, and Zhao Youting said faintly, "It should be me." The two "flirted" and were very ambiguous.

  The movie is about to be released, and both of them are looking forward to everyone’s reaction. They also hope that this MV will impress more fans and make the box office a success.

Peng Yuyan self-subverted "The Biography of Wukong" to achieve "the most handsome Wukong"

Peng Yuyan’s "Wukong" blockbuster


Peng Yuyan’s "Wukong" blockbuster

Peng Yuyan’s "Wukong" blockbuster


1905 movie network news A few days ago, the film joint fashion magazine ELLEMEN released a group of fashion blockbusters starring Peng Yuyan. Peng Yuyan’s appearance has once again exploded, especially after being paired with the exclusive prop golden hoop in the movie "The Legend of Wukong", which makes the already handsome Peng Yuyan even more domineering. In an interview, Peng Yuyan, who once again challenged the new image, said "to subvert himself in the film".

Fashion + Wukong, Peng Yuyan’s new blockbuster rebellious and domineering

This time, "The Legend of Wukong" and the fashion magazine ELLEMEN released Peng Yuyan’s fashion blockbuster, which perfectly fuses Peng Yuyan’s own handsome style with the character elements of the movie "The Legend of Wukong". Peng Yuyan, who is wearing a fashionable suit, plays with the golden hoop belonging to the character of Sun Wukong, highlighting a trace of stubbornness and unruly in the modern atmosphere; while the other two styles of holding a golden hoop to play with make many fans feel the optimism, rebellion and love of challenge that Peng Yuyan inadvertently revealed. Make this set of mixed and matched style fashion blockbusters more youthful.

As soon as this group of cross-element fashion blockbusters was released, they immediately went crazy on major social network platforms, and fans from all walks of life fell under the beauty of "the most handsome Wukong". Even the official comments of Sina Entertainment were: Peng Yuyan is too good-looking!

Subvert + self, subvert self again for the role of Sun Wukong

Talking about the film elements of this shooting, "The Legend of Wukong", which will be released on July 13, Peng Yuyan said: "I also like Sun Wukong very much, one reason is that it is different from others, and it has to do what it wants to do. In order to play the role of Sun Wukong well, during filming, Peng Yuyan will often go to the next crew to visit classes to find the inspiration to shape Wukong. When communicating with the director, Peng Yuyan insists on based on his original appearance:" I want to act through my expression. "

In addition to figuring out the shape, Peng Yuyan also found a martial arts instructor from Hong Jiaban to learn monkey boxing. In addition to learning, he summed up the Monkey King combined with his own style according to the different characteristics of the south and the north. "The Monkey King in the play is a straightforward monkey and a rebellious young man. The sky is big, the earth is big, I am the biggest, and I am not afraid of anything." And in order to perform the Monkey King that he longs for in his heart, Peng Yuyan sighed even more: "We always think that I am the world, but in fact the world will not change, you have to change, it is like this"

 

Because of Peng Yuyan’s personal insights, many fans are more looking forward to Peng Yuyan’s "The Legend of Wukong" this time, and look forward to what kind of refreshing performance Peng Yuyan can perform. The film is produced by Xinli Films, Mutie Entertainment, Three Dimensional Yuan Films and Xinli International, directed by Guo Zijian, supervised by Huang Jianxin, and starred by Peng Yuyan, Ni Ni, Ou Hao, Yu Wenle, Zheng Shuang, Qiao Shan, and Yang Di. Yu Feihong’s special film "The Legend of Wukong" will be released on July 13, 2017.

Original Yang Zilong Year to dominate the screen, drama fans are blessed!

On December 26, Yang Zi flew from Beijing to Hangzhou and officially joined the group.

The show had been officially announced to star Yang Zi and Li Xian. This time they are the second team to cooperate. They are looking forward to it. Although Li Xian’s costume is not interesting, the heroine is Yang Zi.

According to the script interpretation of "National Color Youth" in the past few days, filming will probably start in early January. According to the usual shooting schedule, the show will not be available to audiences until 2025.

However, Yang Zi’s Year of the Dragon wants to dominate the screen. Her modern drama "Love for a Long Time" with Fan Chengcheng has been promoted and is expected to be released in January.

Yang Zi has filmed many ancient puppet dramas over the years, as well as many long-lost modern dramas. In addition to "Love for a Long Time", Yang Zi and Xu Kai’s collaboration "Cheng Huan Ji" also passed the review on December 27 and is waiting for its schedule.

In addition, in the new year, the second installment of "Sauvignon Blanc" will feature Yang Zi as the protagonist. In the first installment, Merlin Xiaoyao is assassinated, allowing the audience to once again witness Yang Zi’s "silence is better than sound" acting. The second installment is said to contain all the famous scenes, such as the assassination of Tu Shanjing., Xiangliu’s death in battle, Xuanxuan’s crazy love, Xiaoyao’s breakup and so on. All these abuse scenes will be reflected in the second installment.

Yang Zi had a great time in "The Man" this year. His birth brought a straightforward, positive and optimistic sixth brother to life in front of the audience. As an actor, Yang Zi experienced the existence of children firsthand. Xiao Liu was too difficult to deal with. When Xiao Liu disappeared and Xiao Yao returned, Yang Zi couldn’t hide her reluctance to leave Xiao Liu. The role of Wen Xiaoliu in "Sauvignon Blanc" was another breakthrough and attempt for him. Yang Zi not only made a lot of practical efforts in terms of appearance, but also deeply understood and analyzed the psychology and emotions of the characters, and interpreted them vividly.

Recently, some media outlets shared a gift they received from Yang Zi’s studio, including a postcard depicting five characters that Yang Zi will meet with the audience in 2024. In addition to the three TV series mentioned above, there are also the movie "Drug Hunting" and the TV series "Green Hairpin".

As we all know, "Green Hairpin" was not broadcast due to the accident of the original male lead. Previously, it was reported that the crew had hired Peng Guanying to make up the filming. Now it seems that the news is true, and Huang Zixia (played by Yang Zi) can finally be seen by everyone.

"Green Hairpin" This is Yang Zi’s longest-running drama. It lasted eight months. This drama was very challenging and difficult for Yang Zi because many of his characters’ lines were professional. The closing lines of the case also included many group scenes. In order not to drag down the crew, Yang Zi was worried that his mistakes would delay the filming progress of the crew and affect other actors, so before filming started, Yang Zi had already sorted out all the scenes in the play about the incident.. You have memorized the lines.

During filming that year, fans of Yang Zi and Wu Moumou had an online dispute over casting. Yang Zi himself responded personally, saying that the show was the result of everyone’s hard work, and he didn’t want everyone to wait to see the finished product. I have always preferred this show.

Now that "Green Hairpin" has finally made a good start, fans are naturally happy for Yang Zi. Yang Zi will take over the screen in the Year of the Dragon. Which Yang Zi’s work are you most looking forward to?

Responsible editor:

Nicholas Tse makes braised pork so delicious, Du Haitao praises: having a first love feeling

  China News Service, Beijing, November 28 (reporter, Zhang Xi) On the 28th, the movie "The God of Cookery" held a "so exhilarate" theme conference in Beijing, with director Ye Weimin, producer Huo Wenxi, and producer Wen Jun starring Nicholas Tse, Tang Yan, Bai Bing, Du Haitao, Wang Taili, Hemingway, etc. attending to help out.

  Speaking about the original intention of "The God of Cookery", director Ye Weimin said: "As a Spring Festival comedy, the most different thing about’The God of Cookery ‘is’heart-to-heart’. Food is a common topic of human beings. After watching the film, the taste is left in everyone’s heart, and the heart is warm."

  As the film’s chief producer and executive producer, Ms. Hovinci said of the film: "’Twelve Sharks’ made me and Ting Feng feel the emotion of food itself, so we spent two years preparing and building an independent story. I hope to bring everyone a movie that’has laughter and tears’ and is suitable for the whole family to watch during the Spring Festival."

  Regarding his first collaboration with Ge You, Nicholas Tse spoke highly of it: "He is the Dinghai Shenzhen of the crew! I will be very at ease with him. As the’taste king ‘in the film, he actually tastes the human touch other than dishes."

  When talking about how to persuade Ge You to join, Hovinci joked: "I was’kneeling ‘! I moved him with my sincerity. In fact, we and Tingfeng have been wanting to work with Ge You for a long time, so everyone has been working hard." Director Ye Weimin added: "In fact, I took advantage of Teacher Ge to be a’foodie’, you know Nicholas Tse loves to cook."

  Nicholas Tse introduced that he played the "black-faced little chef" in the food stall in the film this time, and also served as the food director of the film. He said: "At first, I didn’t expect that there would be more than ten or twenty dishes in the film that I needed to design. Before, there were very few movies where real actors fried and cut, but this time it was all me. In order to shoot cooking, even the sound of cooking and the brightness of the screen have to be carefully controlled, which is really a difficult task. And this time our movie not only has a 3D version, but also a 4D version. You can feel the taste and fireworks in the theater."

  Talking about the difference between "God of Cookery" and "Twelve Sharks", Nicholas Tse said: "It’s completely different from the show, it’s 100% new! That’s why I found so many excellent actors and teachers, and I took great pains to complete a new story." He particularly pointed out that each dish in the film must be cooked with the emotion and temperature required by the director. Each dish has a story, and the words make the audience look forward to it more.

  This time, "The God of Cookery" is the second film collaboration between Nicholas Tse and Tang Yan after "The Wind and Cloud 2" eight years ago. At the scene, Tang Yan said that this time the role is Nicholas Tse’s "fan girl". "Nicholas Tse and I are childhood sweethearts in the film. One is the god of cooking and the other is the lady boss. You can think about it yourself."

  Du Haitao, Wang Taili and Hemingway also self-styled "Seven Records F4", and revealed that Nicholas Tse often turned into a chef to treat the crew on the set in order to test various kitchen utensils to be filmed. Recalling Nicholas Tse’s braised pork, Du Haitao praised: "It melts in your mouth, it’s still rose-colored, and you have a feeling of first love in your mouth." Wang Taili said: "A man who can cook is the most attractive. I can see it from Nicholas Tse, and I will try it later."

Lin Qingxia talks to her teacher about a dream of Red Mansions, less like Daiyu and now like Baochai (Photo)



    China News Service, November 6, Lin Qingxia, a big star, has a "unique idol" in her heart, which is Taiwan’s cultural celebrity Jiang Xun. She once flew to Taiwan once a week just to attend Jiang Xun’s aesthetics class and listen to him talk about the dream of the Red Chamber.


    According to Taiwan’s United Daily News, after the "Awakening of Beauty," Lin Qingxia was moved to tears in front of the statue, and she was also enthusiastic about writing calligraphy, painting, and trying to write. Art kindled her enthusiasm, and even vowed to become an artist at the age of 60.


    Born in Xi’an, Jiang Xun is known for his floral waterscape paintings, and is loved by students for his aesthetic teaching and thinking. In addition, he has published several collections of poetry, served as the chief editor of Taiwan’s early art publication "Lion", and is currently the president of "United Literature".


    Q: When did Jiang Xun become Lin Qingxia’s idol?


    Lin Qingxia (hereinafter referred to as Lin): A friend gave me a CD of Teacher Jiang talking about the Dream of Red Mansions. I really wanted to see him after listening to it. Later, when I found out that Teacher Jiang was starting classes here, I took advantage of visiting my father in Taiwan every week.


    Teacher is my only idol, can’t get too close, too close I will be afraid, haha.


    Jiang Xun (hereinafter referred to as Jiang): Yang Fan (Hong Kong film director) laughed at her: "You must have no idol in your life, you must find an idol."


    Lin: The teacher is still my half sleeping pill. Because listening to the teacher talk about the disc (CD) of the Dream of Red Mansions, my heart is very stable and it is easy to fall asleep.


    Jiang: I was also told by someone on the MRT (urban railway) that he had long insomnia and fell asleep as soon as he listened to my audiobook. My voice made him quiet. I am very happy.


    Q: What is the reason for opening the private lecture hall of Dream of Red Mansions?


    Jiang: At first, a group of good friends hoped to have different spiritual pursuits outside of a wealthy life, so at first they not only talked about the Dream of the Red Chamber, but also studied Chinese art history and Western art history; it was just a small class of ten or twenty students, and classes were held every Friday afternoon.


    When Qingxia first came to class, I was very nervous. She is a big star, and the staff who borrowed our venue came to line up two rows and waited to see Qingxia. I was still inevitably disturbed by the media’s shaping of her…


    Lin: His eyes didn’t even float to my side! I sat on the side, and he almost saw me, and his eyes moved away again. I thought, well, this is very safe, the teacher doesn’t look at me, so I put on my reading glasses, but I didn’t expect to look up, Oh, the teacher saw me!


    Jiang: Haha, as soon as I saw Qingxia wearing presbyopia glasses, the big star suddenly became a real person – she would be presbyopia too! After that, I felt so relaxed, as if the spell had been broken. Therefore, it is a great practice to know the essence of a person with a clear water. Qingxia is my very important homework.


    In those years, most of the classes were taught by wealthy people, and Dream of the Red Chamber was also about the things of wealthy families, and also about the pain of deep love. It has been more than a year since the class ended, and everyone has changed a little, and some people have left. They called me teacher, but I have learned a lot from them, because I believe that it is not easy to pass the level of wealth and deep love.


    Q: Lin Qingxia once played Jia Baoyu. What is her experience when reading Dream of Red Mansions?


    Lin: Everyone guessed that I played Lin Daiyu, Zhang Aijia played Jia Baoyu, and then we switched. Director Li ("A Dream of Red Mansions" director Li Hanxiang) said, I have a feeling that the jade tree is in the wind, and I also think I can play it.


    The roles I have played, I love the male actor: Jia Baoyu and Dongfang Undefeated.


    Jiang: I think Li Hanxiang is amazing. Qingxia has a kind of heroism between her eyebrows and eyes, and he can see it. I just came back from Paris to see this movie, and I remember it very clearly. She was so thrilling when she was beaten by Jia Zheng!


    Lin: My little daughter didn’t dare to watch that scene and hugged me blushing. I told her that I actually put on a towel and wasn’t afraid, not afraid.


    In real life, some people guess that I am Xue Baochai. I hope to be able to be Wang Xifeng, so good at housekeeping, but not so poisonous. In fact, there was a nasty part of Lin Daiyu’s personality in the past, crying, sensitive, and worried, and others thought I was awkward.


    Jiang: Looking at Qingxia’s "Outside the Window", I know she must be very awkward. Her face is covered with a layer of fog, and joy and sadness are mixed on her face.


    Lin: I was too simple at that time. I had just graduated from high school and was only seventeen years old. But when the teacher met me, I had already become Xue Baochai. After getting married, I changed roles naturally.


    Jiang: We all have Lin Daiyu and Xue Baochai in our characters, and we will always be in conflict between the two personalities. Lin Daiyu died with uncompromising persistence, and Xue Baochai knew how to be harmonious and compromise with the world to survive. We need to have self-persistence inside, and be able to get along with people easily outside. It is a great wisdom to be able to balance the two.


    Lin: Well said, that’s what happened! When I was a teenager, I loved to talk about my worries, and I didn’t know what I was worried about, and I was very unhappy. Before the age of 30, my pain accounted for 80%. Once I looked in the mirror and asked myself who I was? What did I look like? Director Tan Jiaming said to me: "If you can ignore people’s opinions, you will succeed."


 




    Girls’ feelings are like Daiyu, marrying into Xing Mansion is like Baochai


    "The tide is coming and going, and the white clouds are still in the corner of the green mountain." Jiang Xun wrote a poem, framed it as a hanging shaft and sent it to Lin Qingxia. Very calm characters, he said that he wrote it after forty-five minutes of meditation, and gave her this quiet, so that she can visualize it when she meditates. "It’s so beautiful! It’s like Master Hongyi’s characters, um, better than Hongyi!" Lin Qingxia couldn’t stop admiring, but also because of her intimate consideration.


    For this teacher-student conversation that originated from the Dream of the Red Chamber, Lin Qingxia flew from Hong Kong and returned to the place where she used to talk about the Dream of the Red Chamber in class with Teacher Jiang, but some of her classmates were no longer there. In the old place, the teacher was still Jiang Xun, and Lin Qingxia was the only student.


    A stranger on the MRT once said to Jiang Xun: "You donated a bell in the temple in your previous life, so you will have a good voice in this life." Lin Qingxia said Jiang Xun was her "half sleeping pill", and his voice brought calming power.


    Jiang Xun claims to be an "aesthetic evangelist". He talks about beauty, which is so moving that it almost has the power of religious infection. The "Dream of Red Mansions Private School" opened for rich friends is like a metaphor for real life; when he tells a book, he also looks into the hearts of the listeners; Lin Qingxia’s eyes looking up to Jiang teacher are not limited to red school, but seek guidance for walking life.


    Everyone can see themselves in "A Dream of Red Mansions," Mr. Jiang said, even the villains Xue Pan or Jia Rui. Lin Qingxia, who was praised by the director Tsui Hark as "a beauty who only came out in 50 years," sees a certain part of Lin Daiyu’s sensitive and awkward young personality. But friends who know "Mrs. Xing" in Hong Kong guess that she is like Xue Baochai who knows the world.


    But she admires Wang Xifeng, the capable housekeeper; and Cecilia, the wife of the former French president who has just been freed from the shackles of the "first lady", also makes her admire: "How can she be so dashing?"


    Through the halo of a big star, Jiang Xun saw her emotions and vulnerability as a human being, as well as her joy as a mother, with his broad experience in life, "I love watching you talk to your daughter on the phone, your whole face is lit up." Jiang Xun’s understanding and guidance also gave Lin Qingxia the space to be comfortable in the world where she was not allowed to be fat or ugly.


    Lin Qingxia, who decided to be happy after the age of 30, wants to laugh more by herself, "If you laugh more, you’ll get used to it." Now it’s easy: being photographed frowning, the Hong Kong media guessed that she was depressed; her clothes were loose, and the gossip said how she became fat? Lin Qingxia said magnanimously: "I don’t care what they write, as long as the photos are beautiful!" Drinking the handmade rice wine that Lin Qingxia specially brought for him, Jiang Xun’s face was slightly red and he nodded at Qingxia.


    Knowing each other in the world is also a heartfelt beauty. Outside the window, neon lights light up one by one, and Lin Qingxia walks out of the "Dream of Red Mansions" with tears in her smile, rushing to catch a flight back to her "Xing Guofu" overnight.


 

Editor in charge: Liu Li

Jolin Tsai talks about "transfer": worth 30 million yuan? Not so much


  Jolin Tsai held her last press conference before moving to Warner in Shenzhen. (Xinhuanet/Photo)


  Yesterday (11th) afternoon, Jolin Tsai held the last press conference before the transfer to Warner in Shenzhen. At the press conference, Jolin Tsai publicly admitted for the first time that she will officially sign a contract with Warner on the 16th of this month, and talked about the details of the cooperation.


  Denied transfer for Chen Zeshan


  Jolin Tsai had been out for ten years and had signed with Universal, Sony, and EMI. Now he had signed with Warner, which happened to be all over the four major record companies. Such an experience was also a myth in the music world. Talking about Warner, who was about to sign, Jolin Tsai changed his previous attitude of not saying anything and answered many questions from reporters generously.


  Guangzhou Daily: Did you follow suit to sign with Warner because of your friendship with Chen Zeshan?


  Jolin Tsai: It has always been said that I signed to Warner because of him, but it was just speculation. After the old contract ended, many companies came to me and offered me good terms. However, my agent and I felt that the terms offered by Warner were the most comfortable for me, allowing me to focus on performing without having to ask a lot about the contract. In addition, I think Warner really cares about music, which I value.


  Guangzhou Daily: Now that you are a queen, is your worth the legendary 30 million yuan?


  Jolin Tsai: Not as much as it is rumored from the outside world. I don’t think I am any different, but I may be older. (laughs) I don’t care much about the signing fee. The first priority should be the quality of the music of this record company.


  Guangzhou concert continues to be difficult


  Tomorrow, sponsored by Bingchun Carlsberg, the "Jolin Tsai Only Dance Guangzhou Concert" will be held at the Guangzhou Gymnasium. At that time, Jolin Tsai will continue her difficult dance, splitting legs, aerial rings, gravity yoga gymnastics, ribbon dance and other housekeeping stunts will be displayed one by one.


  Guangzhou Daily: The Guangzhou concert will be held tomorrow. How are you preparing now?


  Cai Yilin: Because this Guangzhou concert is a four-sided platform, I’m not used to it. I’m going to Guangzhou tomorrow to check the situation and prepare.


  Guangzhou Daily: What is the difference between the four-sided platform and you?


  Jolin Tsai: The four-sided stage poses a greater challenge to the singer. When performing, you have to pay attention to the audience on all sides. Sometimes you even get dizzy and don’t know which direction you are going. At two concerts in Beijing and Hong Kong, I often felt dizzy, so there were small stickers on the floor to indicate the direction.


  Guangzhou Daily: Is it dangerous to wear super high heels to perform difficult movements at every concert?


  Jolin Tsai: It should be fine, because I’m used to wearing thick-heeled high-heeled shoes.


  Guangzhou Daily: You have said before that you are too old to do those difficult performances. Have you ever wondered at what age you will stop performing?


  Jolin Tsai: I do these things just to see where my limits are. Learning things is my pleasure. If one day this enthusiasm wanes, I will slow down.


  Guangzhou Daily: Will the Guangzhou concert sing Cantonese songs "as the Romans do"?


  Jolin Tsai: I originally wanted to sing the Cantonese version of "Pretend". But now I find that I seem to have forgotten the pronunciation. If someone can help me practice it, I can sing it, hehe. (Reporter, Su Lei, Intern, Wang Gaocai)

Editor in charge: Li Dan

John Woo’s "Sword Rain" premiered in tears, Michelle Yeoh was confessed by Zheng Yusheng


Dai Liren, Jiang Yiyan, Wang Xueqi, Li Zonghan, Yu Wenle


John Woo and his wife and director Su Zhaobin

    Movie Network News(Photo/Qian Jia Yiwen/Zhang Wei) On September 26, the movie channel’s "Premiere" program was recorded in Beijing. Michelle Yeoh and Zheng Yusheng, the husband and wife in the film, were also very loving at the scene. Not only did they hold hands all the time on stage, Zheng Yusheng also confessed to Michelle Yeoh: "I love you, I miss you every day." And the film’s producer John Woo, who just won the Lifetime Achievement Award at the Venice Film Festival, not only did the award-winning video play for the first time on the scene, but he was even more moved and choked up when he saw the congratulations VCR sent by his daughter Wu Feixia. The film will be officially released on September 28.


Cheng Yusheng, Yeoh Michelle Yeoh


Zheng Yusheng and Yang Miqiong show intimacy


Michelle Yeoh, Zheng Yusheng

Michelle Yeoh was confessed by Zheng Yusheng on the spot, holding hands throughout the whole process to show her love

    In "Sword Rain", Michelle Yeoh and Zheng Yusheng play a husband and wife, and their love also spreads from the play to the premiere. At the invitation of the host, when Michelle Yeoh and Zheng Yusheng reenact the sweet scene in the film, Michelle Yeoh first shyly ground marketing: "I still want to go to the play!" Who knew that Zheng Yusheng had already reached out and hugged her waist, and the two immediately hugged each other. Zheng Yusheng also confessed affectionately: "I love you, and I miss you every day." After hearing this, Michelle Yeoh smiled, and the degree of tacit understanding between the two was evident.

    In fact, when Zheng Yusheng first took the stage, he stood hand in hand with Yang Miqiong, and the on-screen couple kept their hands on the stage. Yang Miqiong also said: "During the four months of filming, we ate every day, and we often spoke Mandarin with him. Just now, someone asked’Is he Chinese? ‘" Indeed, Zheng Yusheng greeted the audience in fluent Chinese as soon as he took the stage, and his tall and handsome appearance also made countless female audience members scream.



Producer John Woo
The video of the Venice Lifetime Achievement Award was first exposed, and John Woo shed tears because of his daughter

    At the 67th Venice Film Festival, John Woo received the Lifetime Achievement Award. At the premiere ceremony that day, his winning video was screened for the first time. The audience stood up and applauded John Woo, "I was very excited and very moved that night.

    There was also a screening of a video recorded by Woo’s daughter Wu Feixia. After watching it, Woo was very surprised and said: "She admires director Chen Kaige very much and hopes to be a director in the future." Woo revealed that the reason for letting her daughter film is to better communicate with actors when she is a director in the future. When receiving the handkerchief from his daughter, Woo was so moved that he even quietly wiped his tears and said to his daughter, "I Love You." For a time, the audience was moved by the deep love between father and daughter.



Big S


Yu Wenle Learning Noodles on Site

Big S calls himself a "hot-blooded killer" Yu Wenle ramen becomes "skipping rope" 

    "My talent is to kill people, and killing people is like eating delicious food, so I’m a hot-blooded killer." Big S, who was wearing a handsome black dress, looked ruthless when explaining his role in the film, "In order to get that better sword, I have to kill my senior sister." Big S and Yang Ziqiong in "Sword Rain" staged a wonderful fight.

   Another assassin, Yu Wenle, also showed off his weapon in the film, about 120 needles of different shapes. Although dangerous, he also admitted that the filming was very enjoyable. Not only is Yu Wenle a killer with stunts, but Yu Wenle is also a ramen expert. At the premiere, he was "forced" to pick up the noodles, but he did not know how to pull noodles at all. He also jumped up the rope with the noodles, looking like a child. In addition, Jiang Yiyan sang "Waltz in the Rain" and Sa Dingding sang the movie’s theme song "Sword Rain Floating Life".

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Interview with "Landing" director Jiang Digui, who launched Fan Bingbing for "Mago"


Director Kang Digui

[Xiaobai runs to Cannes] What you saw on May 15: The overseas special issue of the movie channel attracts attention

    Movie Network News(Text/Cannes Film Festival News Team) On May 15, France, directed by Jiang Digui, Fan Bingbing, Oda Che Rang, and Zhang Dongjian, the film "The Day of Landing" co-produced by the superstars of China, Japan and South Korea appeared in Cannes. In an antique castle in the old city of Cannes, the filmmaker announced the trailer for the first time. After the press conference, [Film Network] also interviewed the Korean heavyweight director Jiang Digui. The director explained the background and some details of the film in detail to reporters, and also called on China, Japan and South Korea to form an Asian film circle to compete with Hollywood.

War + Brotherly Obsession

   Movie Network: The director has filmed it before, and now he is filming this "Day of Landing". Why is he so obsessed with the theme of war?

    Jiang Digui: Because war is the lowest state of human existence, at this time, actors can bring the strongest emotional impact to the audience through their performances. "The Day of Landing" is about World War II, when a Japanese youth and a Korean youth meet and overcome cultural differences. I think war is the best background.

     Movie Network: "Tai Chi Flag Flying" is about brotherhood, and in this film, it is also about brotherhood. Why?

    Kang Digui: The brotherhood in "Flying Tai Chi Flag" is still different from this film. World War II is arguably the most tragic history for the people of China, Japan and South Korea. Japan is the invading country, but on the battlefield, the characters played by Zhang Dongjian and Oda Che Rang hurt each other. The director wanted to use the film to reflect on the complex relationship at that time, but also to reflect on the relationship between us now.

Give Fan Bingbing the script in person


    Movie Network: Why did Fan Bingbing join the film?

     Jiang Digui: I have seen Fan Bingbing in the past, and I have a good impression of Fan Bingbing. Later, I saw her in "Apple" and I really wanted to work with her. Now that I have this opportunity, I will personally go to Beijing to hand over the script to her. I am honored to have such a beautiful actress join this film.

    Movie Network: How did the director come up with such a script?

     Jiang Digui: When I was in the United States, someone gave me a script that was about the same story. The script at that time was called "D-Day". Later, based on this script, I checked a lot of information and watched a lot of documentaries. Finally, I wrote a new story, which is now "My Way".

The Three Kingdoms Join the Asian Film Circle

    Film Network: It has been reported before that the film’s investment is as high as 200 million yuan, which is a very high investment in South Korea. How to find investment? What is the source of investment?

    Jiang Digui: 80% of the investment sources are from South Korea and 20% are from China. It is inconvenient to disclose which company in China came from.

    Movie Network: The film is a three-country co-production between China, Japan and South Korea. Now there are more and more such three-country co-productions. What is your opinion on this phenomenon? What are the specific promotion effects of co-productions on Asian films?

    Jiang Digui: In the past, the theme of cooperation was mainly based on local countries. For example, Korean co-productions were about Korean affairs, while Japanese ones were about Japan. Cooperation was also a very shallow level of cooperation. In terms of the market, China was the largest market, Japan was second, and South Korea was the smallest. In future cooperation, after finding a story that could be accepted by all three countries, stars from various countries were invited to cooperate with this theme, and in the future, it would become an Asian film industry to compete with Hollywood.

     Movie Network: When I watched the trailer of the movie before, I found that there were shots of Oda Che Rang and Zhang Dongjian running. Is there any meaning to this?

    Jiang Digui: The story of the film is that in the 1930s, Zhang Dongjian played the son of Oda’s family worker, and the two had a competitive relationship since childhood. At that time, the running scene was when they were running a marathon in high school. Later, when Zhang Dongjian was forced to land in Normandy to join the Japanese army, he went back to exercise and run every night, expressing the spirit of not giving up his dreams.

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