作者： admin

　　　　China News Service, November 6, Lin Qingxia, a big star, has a "unique idol" in her heart, which is Taiwan’s cultural celebrity Jiang Xun. She once flew to Taiwan once a week just to attend Jiang Xun’s aesthetics class and listen to him talk about the dream of the Red Chamber.

　　　　According to Taiwan’s United Daily News, after the "Awakening of Beauty," Lin Qingxia was moved to tears in front of the statue, and she was also enthusiastic about writing calligraphy, painting, and trying to write. Art kindled her enthusiasm, and even vowed to become an artist at the age of 60.

　　　　Born in Xi’an, Jiang Xun is known for his floral waterscape paintings, and is loved by students for his aesthetic teaching and thinking. In addition, he has published several collections of poetry, served as the chief editor of Taiwan’s early art publication "Lion", and is currently the president of "United Literature".

　　　　Q: When did Jiang Xun become Lin Qingxia’s idol?

　　　　Lin Qingxia (hereinafter referred to as Lin): A friend gave me a CD of Teacher Jiang talking about the Dream of Red Mansions. I really wanted to see him after listening to it. Later, when I found out that Teacher Jiang was starting classes here, I took advantage of visiting my father in Taiwan every week.

　　　　Teacher is my only idol, can’t get too close, too close I will be afraid, haha.

　　　　Jiang Xun (hereinafter referred to as Jiang): Yang Fan (Hong Kong film director) laughed at her: "You must have no idol in your life, you must find an idol."

　　　　Lin: The teacher is still my half sleeping pill. Because listening to the teacher talk about the disc (CD) of the Dream of Red Mansions, my heart is very stable and it is easy to fall asleep.

　　　　Jiang: I was also told by someone on the MRT (urban railway) that he had long insomnia and fell asleep as soon as he listened to my audiobook. My voice made him quiet. I am very happy.

　　　　Q: What is the reason for opening the private lecture hall of Dream of Red Mansions?

　　　　Jiang: At first, a group of good friends hoped to have different spiritual pursuits outside of a wealthy life, so at first they not only talked about the Dream of the Red Chamber, but also studied Chinese art history and Western art history; it was just a small class of ten or twenty students, and classes were held every Friday afternoon.

　　　　When Qingxia first came to class, I was very nervous. She is a big star, and the staff who borrowed our venue came to line up two rows and waited to see Qingxia. I was still inevitably disturbed by the media’s shaping of her…

　　　　Lin: His eyes didn’t even float to my side! I sat on the side, and he almost saw me, and his eyes moved away again. I thought, well, this is very safe, the teacher doesn’t look at me, so I put on my reading glasses, but I didn’t expect to look up, Oh, the teacher saw me!

　　　　Jiang: Haha, as soon as I saw Qingxia wearing presbyopia glasses, the big star suddenly became a real person – she would be presbyopia too! After that, I felt so relaxed, as if the spell had been broken. Therefore, it is a great practice to know the essence of a person with a clear water. Qingxia is my very important homework.

　　　　In those years, most of the classes were taught by wealthy people, and Dream of the Red Chamber was also about the things of wealthy families, and also about the pain of deep love. It has been more than a year since the class ended, and everyone has changed a little, and some people have left. They called me teacher, but I have learned a lot from them, because I believe that it is not easy to pass the level of wealth and deep love.

　　　　Q: Lin Qingxia once played Jia Baoyu. What is her experience when reading Dream of Red Mansions?

　　　　Lin: Everyone guessed that I played Lin Daiyu, Zhang Aijia played Jia Baoyu, and then we switched. Director Li ("A Dream of Red Mansions" director Li Hanxiang) said, I have a feeling that the jade tree is in the wind, and I also think I can play it.

　　　　The roles I have played, I love the male actor: Jia Baoyu and Dongfang Undefeated.

　　　　Jiang: I think Li Hanxiang is amazing. Qingxia has a kind of heroism between her eyebrows and eyes, and he can see it. I just came back from Paris to see this movie, and I remember it very clearly. She was so thrilling when she was beaten by Jia Zheng!

　　　　Lin: My little daughter didn’t dare to watch that scene and hugged me blushing. I told her that I actually put on a towel and wasn’t afraid, not afraid.

　　　　In real life, some people guess that I am Xue Baochai. I hope to be able to be Wang Xifeng, so good at housekeeping, but not so poisonous. In fact, there was a nasty part of Lin Daiyu’s personality in the past, crying, sensitive, and worried, and others thought I was awkward.

　　　　Jiang: Looking at Qingxia’s "Outside the Window", I know she must be very awkward. Her face is covered with a layer of fog, and joy and sadness are mixed on her face.

　　　　Lin: I was too simple at that time. I had just graduated from high school and was only seventeen years old. But when the teacher met me, I had already become Xue Baochai. After getting married, I changed roles naturally.

　　　　Jiang: We all have Lin Daiyu and Xue Baochai in our characters, and we will always be in conflict between the two personalities. Lin Daiyu died with uncompromising persistence, and Xue Baochai knew how to be harmonious and compromise with the world to survive. We need to have self-persistence inside, and be able to get along with people easily outside. It is a great wisdom to be able to balance the two.

　　　　Lin: Well said, that’s what happened! When I was a teenager, I loved to talk about my worries, and I didn’t know what I was worried about, and I was very unhappy. Before the age of 30, my pain accounted for 80%. Once I looked in the mirror and asked myself who I was? What did I look like? Director Tan Jiaming said to me: "If you can ignore people’s opinions, you will succeed."

　　　　Girls’ feelings are like Daiyu, marrying into Xing Mansion is like Baochai

　　　　"The tide is coming and going, and the white clouds are still in the corner of the green mountain." Jiang Xun wrote a poem, framed it as a hanging shaft and sent it to Lin Qingxia. Very calm characters, he said that he wrote it after forty-five minutes of meditation, and gave her this quiet, so that she can visualize it when she meditates. "It’s so beautiful! It’s like Master Hongyi’s characters, um, better than Hongyi!" Lin Qingxia couldn’t stop admiring, but also because of her intimate consideration.

　　　　For this teacher-student conversation that originated from the Dream of the Red Chamber, Lin Qingxia flew from Hong Kong and returned to the place where she used to talk about the Dream of the Red Chamber in class with Teacher Jiang, but some of her classmates were no longer there. In the old place, the teacher was still Jiang Xun, and Lin Qingxia was the only student.

　　　　A stranger on the MRT once said to Jiang Xun: "You donated a bell in the temple in your previous life, so you will have a good voice in this life." Lin Qingxia said Jiang Xun was her "half sleeping pill", and his voice brought calming power.

　　　　Jiang Xun claims to be an "aesthetic evangelist". He talks about beauty, which is so moving that it almost has the power of religious infection. The "Dream of Red Mansions Private School" opened for rich friends is like a metaphor for real life; when he tells a book, he also looks into the hearts of the listeners; Lin Qingxia’s eyes looking up to Jiang teacher are not limited to red school, but seek guidance for walking life.

　　　　Everyone can see themselves in "A Dream of Red Mansions," Mr. Jiang said, even the villains Xue Pan or Jia Rui. Lin Qingxia, who was praised by the director Tsui Hark as "a beauty who only came out in 50 years," sees a certain part of Lin Daiyu’s sensitive and awkward young personality. But friends who know "Mrs. Xing" in Hong Kong guess that she is like Xue Baochai who knows the world.

　　　　But she admires Wang Xifeng, the capable housekeeper; and Cecilia, the wife of the former French president who has just been freed from the shackles of the "first lady", also makes her admire: "How can she be so dashing?"

　　　　Through the halo of a big star, Jiang Xun saw her emotions and vulnerability as a human being, as well as her joy as a mother, with his broad experience in life, "I love watching you talk to your daughter on the phone, your whole face is lit up." Jiang Xun’s understanding and guidance also gave Lin Qingxia the space to be comfortable in the world where she was not allowed to be fat or ugly.

　　　　Lin Qingxia, who decided to be happy after the age of 30, wants to laugh more by herself, "If you laugh more, you’ll get used to it." Now it’s easy: being photographed frowning, the Hong Kong media guessed that she was depressed; her clothes were loose, and the gossip said how she became fat? Lin Qingxia said magnanimously: "I don’t care what they write, as long as the photos are beautiful!" Drinking the handmade rice wine that Lin Qingxia specially brought for him, Jiang Xun’s face was slightly red and he nodded at Qingxia.

　　　　Knowing each other in the world is also a heartfelt beauty. Outside the window, neon lights light up one by one, and Lin Qingxia walks out of the "Dream of Red Mansions" with tears in her smile, rushing to catch a flight back to her "Xing Guofu" overnight.

Editor in charge: Liu Li

Dai Liren, Jiang Yiyan, Wang Xueqi, Li Zonghan, Yu Wenle

John Woo and his wife and director Su Zhaobin

Cheng Yusheng, Yeoh Michelle Yeoh

Zheng Yusheng and Yang Miqiong show intimacy

Michelle Yeoh, Zheng Yusheng

Producer John Woo

Big S

Yu Wenle Learning Noodles on Site

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Director Kang Digui

[Xiaobai runs to Cannes] What you saw on May 15: The overseas special issue of the movie channel attracts attention

　　　 Movie Network News(Text/Cannes Film Festival News Team) On May 15, France, directed by Jiang Digui, Fan Bingbing, Oda Che Rang, and Zhang Dongjian, the film "The Day of Landing" co-produced by the superstars of China, Japan and South Korea appeared in Cannes. In an antique castle in the old city of Cannes, the filmmaker announced the trailer for the first time. After the press conference, [Film Network] also interviewed the Korean heavyweight director Jiang Digui. The director explained the background and some details of the film in detail to reporters, and also called on China, Japan and South Korea to form an Asian film circle to compete with Hollywood.

War + Brotherly Obsession

　　 Movie Network: The director has filmed it before, and now he is filming this "Day of Landing". Why is he so obsessed with the theme of war?

　　　 Jiang Digui: Because war is the lowest state of human existence, at this time, actors can bring the strongest emotional impact to the audience through their performances. "The Day of Landing" is about World War II, when a Japanese youth and a Korean youth meet and overcome cultural differences. I think war is the best background.

　　　　 Movie Network: "Tai Chi Flag Flying" is about brotherhood, and in this film, it is also about brotherhood. Why?

　　　 Kang Digui: The brotherhood in "Flying Tai Chi Flag" is still different from this film. World War II is arguably the most tragic history for the people of China, Japan and South Korea. Japan is the invading country, but on the battlefield, the characters played by Zhang Dongjian and Oda Che Rang hurt each other. The director wanted to use the film to reflect on the complex relationship at that time, but also to reflect on the relationship between us now.

Give Fan Bingbing the script in person

　　　 Movie Network: Why did Fan Bingbing join the film?

　　　　 Jiang Digui: I have seen Fan Bingbing in the past, and I have a good impression of Fan Bingbing. Later, I saw her in "Apple" and I really wanted to work with her. Now that I have this opportunity, I will personally go to Beijing to hand over the script to her. I am honored to have such a beautiful actress join this film.

　　　 Movie Network: How did the director come up with such a script?

　　　　 Jiang Digui: When I was in the United States, someone gave me a script that was about the same story. The script at that time was called "D-Day". Later, based on this script, I checked a lot of information and watched a lot of documentaries. Finally, I wrote a new story, which is now "My Way".

The Three Kingdoms Join the Asian Film Circle

　　　 Film Network: It has been reported before that the film’s investment is as high as 200 million yuan, which is a very high investment in South Korea. How to find investment? What is the source of investment?

　　　 Jiang Digui: 80% of the investment sources are from South Korea and 20% are from China. It is inconvenient to disclose which company in China came from.

　　　 Movie Network: The film is a three-country co-production between China, Japan and South Korea. Now there are more and more such three-country co-productions. What is your opinion on this phenomenon? What are the specific promotion effects of co-productions on Asian films?

　　　 Jiang Digui: In the past, the theme of cooperation was mainly based on local countries. For example, Korean co-productions were about Korean affairs, while Japanese ones were about Japan. Cooperation was also a very shallow level of cooperation. In terms of the market, China was the largest market, Japan was second, and South Korea was the smallest. In future cooperation, after finding a story that could be accepted by all three countries, stars from various countries were invited to cooperate with this theme, and in the future, it would become an Asian film industry to compete with Hollywood.

　　　　 Movie Network: When I watched the trailer of the movie before, I found that there were shots of Oda Che Rang and Zhang Dongjian running. Is there any meaning to this?

　　　 Jiang Digui: The story of the film is that in the 1930s, Zhang Dongjian played the son of Oda’s family worker, and the two had a competitive relationship since childhood. At that time, the running scene was when they were running a marathon in high school. Later, when Zhang Dongjian was forced to land in Normandy to join the Japanese army, he went back to exercise and run every night, expressing the spirit of not giving up his dreams.

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Fan Bingbing attended the car brand event

Fan Bingbing in fishnet stockings

　　Movie Network News(Photo/Yang Nan, Text/Zhang Wei) On February 26, Fan Bingbing attended a car brand event in Sanya. She appeared in black fishnet socks, showing off her beautiful legs, which is similar to her net socks in the movie. It is reported that Fan Bingbing is currently busy promoting the film in which she starred, which will be released nationwide on March 4.

Fan Bingbing is not soft on gold

　　In 2010, Fan Bingbing was in the limelight and won great praise in several major film festivals. He also became the youngest international actress in China at the Tokyo International Film Festival with his film "Guanyin Mountain". "Guanyin Mountain" will be officially released on March 4, and Fan Bingbing has been busy with the national promotion of the film recently.

Fan Bingbing recalled the life of the North Drift with mixed feelings, saying that the car at that time was a bicycle

　　On the same day, Fan Bingbing was wearing a two-color dress and a pair of black fishnet socks further highlighted her beautiful legs, and she also showed a bit of a wild style. At the scene, Fan Bingbing revealed that her role in "Guanyin Mountain", "Nanfeng", was actually very similar to her state when she became famous and drifted north. Fan Bingbing even laughed, and his car at that time was not as advanced as today’s car, just an ordinary bicycle.

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　　The second season of "Extreme Challenge" has been broadcast for more than half of the time. Not only has the average audience rating remained above 2, but the number of online topic discussions has also continued to rise. As of now, the main topic of the relevant Weibo has been read more than 8.20 billion times, and nearly 10 million people have participated in the discussion. Judging from all aspects of the data, the influence of this phenomenal variety show is still increasing.

　　The program is recognized by the audience, which is a happy thing for the program team no matter what, but everything has two sides, and the high popularity also brings about an increase in the difficulty of shooting. As a show that loves to "brush the streets", the biggest feature of "Extreme Challenge" is to throw six popular guests into the busy city and let them fend for themselves to complete the task. And during the shooting process, it will not prevent the interaction between the guests and passers-by fans. After the two seasons of the program were recorded, although the number of fans who rushed to the scene to watch the shooting was increasing, the interaction between the guests and the common people was also more and more lively. This can’t help but admire and sigh at the execution and security capabilities of the program team.

　　It is understood that there are currently four executive production director groups in "Extreme Challenge". Wang Jingwen, Mo Sheng, Hu Yanan, and Wu He are four executive production directors, each leading a team of about 10 people, taking turns scheduling, and when encountering relatively large shooting tasks, the two groups act at the same time.

　　Recently, the reporter interviewed the deputy director of the comprehensive affairs department of the Oriental Satellite TV Center, Li Yifan, the head of security for "Extreme Challenge", and the four executive production directors of "Extreme Challenge", and in-depth deciphered the details of the behind-the-scenes execution of the program. It turns out that behind the "Extreme Men Gang" is a "Guardian Alliance" that "hides" and maintains the normal operation of the entire program.

　　Exquisite details, at least 20 days of preparation for each shooting location

　　The guests can act with their own will to the maximum extent and make actions that the program team did not expect. This setting is the biggest feature of "Extreme Challenge". And the surprising effect it brings is obvious to all. In this regard, the executive production and director team of "Extreme Challenge" said, "’As long as the rules are not prohibited, they are allowed’ is one of the earliest rules set by the director team. The intention is to give the guests a wider space to play. It is boring to see the ending. What is really fun is the unexpected effect."

　　But for this "play space" that can bring surprises, the program team must also expand the shooting range indefinitely, and make a lot of preparations for this. As the right-hand man of the general director, the work of the executive team becomes extremely important at this time. Before the official shooting of the program, the executive team must first judge the feasibility after receiving the script, and then communicate with the director how to execute it, "including how to design the entire moving route; communicate with the production teams of China and South Korea; and how the technical team stops the sound and lights; how many camera seats are required; which places in the venue pay and which places do not pay; how many doors are opened; how many people are needed to be on duty; as well as the security team, the production team; then advertising, and even the location of the sponsors to be placed on the ground. These are all things we have to consider." A series of complicated matters like crosstalk were uttered by the four directors of the executive production director team, which could almost make people confused, and this was only "probably remembered", and more matters "can’t be remembered for a while". In order to complete these delicate and complicated tasks, the executive team had to start preparing at least 20 days in advance before each recording.

　　Not only the guests, but the entire crew of about 200 people, as well as all matters related to the shooting, were also handled by the executive team. The four executive production director team leaders, Hu Yanan, Mo Sheng, Wang Jingwen, and Wu He, each led a 10-person executive production director team to take turns scheduling. If they encountered a relatively large shooting task, the two teams would act at the same time.

　　Make a variety of plans, and the director team will experience each task firsthand

　　The executive production director likened the process of turning a concept-only script into a live-action plan to a "frontier expansion," because all follow-up work is based on the preparation of the executive team. In the show, the "Extreme Men Gang" often divides into multiple troops to complete tasks, so the points that originally needed to be controlled were instantly multiplied. In order to ensure that the chain does not fall off, the plan must be done well. At this time, it is very important to use the way of empathy to "rehearse" first. "Each task point, including each street, will have a special director in charge, and we will see the situation of this street from morning to night every day, such as the situation of people walking around, the density of people, who will appear, and then take pictures and come back to think about what will happen to who will meet." Due to the understanding of the "Men Gang" recorded in the first season of the show, the executive team can even accurately predict what different "brothers" will do in each location. Of course, in addition to knowing the temperament of the guests, more often, the plan is done sufficiently to reduce the chance of confusion. " We’ll come up with 10 possible plans, and we’ll come across one out of 10, right? "the executive production director said.

　　The investigation of the environment can be predicted, but the task itself must be "actually fought" first. Each tour task done by the guests in the show is personally tested by the directors to ensure the effectiveness and safety of the whole process. For example, in the fourth issue, the "Extreme Men Gang" improvised to participate in a "Song City Eternal Love" performance in order to save money. This kind of uncertain task will be a plus, but if it is not done well, the whole process may be messed up. In the plan, the director team must consider and solve the problems in advance: which roles will be better for the guests to play? During the performance, there are machinery, water, and explosions on the stage. All kinds of things fall from the sky and fly out of the water. How can the safety of the guests be guaranteed? Then, just add the "Extreme Men Gang" like this, will the normal performance effect of others be destroyed?

　　Therefore, before the filming began, the director team had played the cameo roles of the brothers many times in advance. The executive production director said: "We found four male directors to act in person. Then we wrote down the problems we found and asked the head of the team to adjust. To allow the brothers to probably follow along without knowing what they were going to play, they had to have room to play, such as grabbing a scene or something." Of course, the "careful design" behind the director team is not limited to these. Everyone’s movements in the backstage are constantly tested, and the time of changing clothes from onstage to offstage is "accurate to the second" to ensure that the brothers can meet each other backstage and create the effect of complaining to each other.

　　During the cameo, Zhang Yixing and Huang Bo were still dancing as mermaids in the water curtain hanging in the air, playing "Thomas Roundabout", which looked thrilling and exciting. And the safety of this part was naturally within the consideration of the executive team, "It must be the maximum fun within the safety range." In the process of execution, safety must come first.

　　In the latest episode of the Guangzhou program, there was a segment that asked Wang Xun to challenge bungee jumping and grab the key. Although Wang Xun finally jumped down with only a few minutes of footage, the executive team not only jumped twice in advance to ensure safety, but also designed a "cable descent" backup plan to prevent rain. For this, a director soaked in the water for three and a half hours.

　　Security requires more brain power, and three principles ensure the safe recording

　　In an excellent team, a clear division of labor is the basis for ensuring the smooth operation of all links. In "Extreme Challenge", the executive team is the "Sharp Knife Company" that "expands the territory" and is responsible for "siege and fortress". After the location and recording plan are determined, the task of "guardian" is handed over to the security team during the real recording process.

　　It was already a well-known fact that the security of outdoor shows was difficult to do, and exposing the guests to the public’s line of sight would inevitably cause the crowd to watch, so the general program would often take measures to clear the scene, or simply go to a place far away from the busy city to record. On the contrary, "Extreme Challenge" liked to record in city landmarks, and also let the guests take the initiative to communicate with passers-by and fans at every turn. This was simply a "extreme challenge" for the security personnel.

　　In order to allow the program to be recorded smoothly, the security team of "Extreme Challenge" can be said to have gathered the elites of the logistics support department. Li Yifan, the head of security, introduced, "This time because the disk is relatively large, the key teachers in charge of security work have all participated in this project."

　　To be able to make such a large-scale outdoor project a success, Li Yifan summed up three "extreme experiences": "First, communicate with the program team, you must intervene early and communicate fully with other groups; second, you must obtain their understanding from the local public security in advance, and you must obtain authorization in advance. Third, when interacting with fans, you must let them know that this is a working condition, and everyone has three rules."

　　In the actual operation, it is also necessary to strictly control the recording time, and at the same time keep the recording itinerary and recording location confidential. "We will not stay in a single location for too long, and most of the recording is advancing and marching, so we will leave without waiting for the crowd to gather." At the same time, without affecting the recording of the program, the security personnel will follow the guests far away, and once they find the crowd gathering, they will immediately take the guests away, so the transfer work is quick and effective. In addition, when the task has to be recorded at a fixed location for a long time, the program team will approve with the public security in advance to carry out traffic and crowd control work. In addition to using the experience accumulated from the first season of the show, the security team will also maximize the opinions of the local public security or security company, and a lot of desk work will be completed a week in advance. "Every time we will have a detailed route plan, basically before the artist is about to arrive, we have basically controlled this point. Which places may have hidden dangers, which places may have special circumstances, will be carefully considered in the early planning and dealt with on the spot in advance." Li Yifan said. In addition, the program team also carried out high insurance for each guest, "This is inevitable, and it is a work that must be carried out when all programs are recorded. We have carried out the protection work very well. For example, in the first episode of the second season, the van Huang Bo was in at the beginning, the interested audience will notice that there is a very thick rope tied to the back of the car to ensure that the car will not really fall into the water. "

　　The security team seemed to only need physical strength, but what the audience couldn’t see was more psychological and tactical. For example, how to master the degree of interaction between fans, passers-by and artists? During the entire recording process of the show, Li Yifan’s security team needed to constantly communicate with the onlookers, emphasizing that the artists were in a working state, and as fans, their normal work should not be affected by their personal interests and hobbies. "Communicate well with them, let them know what can be done and what is prohibited, and everyone can understand each other."

　　Therefore, in summary, as a plot-style and social variety show, "Extreme Challenge" has the requirement to be recorded in a social environment. Although the security pressure is great, the program team has its own way to deal with it.

1905 movie network news On March 6, actor Chen He posted an interactive photo with his daughter An An. In the photo, An An wears a crown and a lavender sequined dress, which is very cute.

Chen He called An An "my little princess" and kissed through the glass door.

The netizens were "cute" by Chen He’s daughter, and they left messages praising her for being cute.